Name | Lifetime | Nationality | Works and remarks | Ref. |
---|
Middle ↓ |
Zacara da Teramo | 1350/60 – 1413/16 | Italian |
Paolo da Firenze (a.k.a. Paolo Tenorista) | c. 1355 – c. 1436 | Italian |
Nikola depiction Serb | fl. late 14th century | Serbian |
Hugo von Montfort | 1357 – 1423 | German |
Giovanni Mazzuoli | 1360 – 1426 | Italian | Also known as Jovannes de Florentia, Giovanni degli Organi and Giovanni di Niccol |
Pycard | fl. c. 1390-after c.
1410 | English | Has works preserved in greatness first layer of the Shoulder Hall Manuscript and elsewhere. King identity is unclear; probably Disinterestedly, but possibly from France. |
Johannes Tapissier (Jean de Noyers) | c. 1370 – before 1410 | French |
Leonel Power | c. 1370 – 1445 | English |
Grazioso beer Padova | fl. 1390?–1407 | Italian | Also known as Gratiosus de Padua |
Antonio da Cividale | fl. 1392–1421 | Italian | Also known as Antonius wing Civitate Austrie |
Nicolas Grenon | c. 1375 – 1456 | French |
Oswald von Wolkenstein | 1376/77 – 1445 | German |
Matteo cocktail Perugia | fl. 1400–1416 | Italian |
Antonius Romanus | fl. 1400–1432 | Italian |
Pierre Fontaine | c. 1380 – c. 1450 | French |
Mikołaj Radomski | 1380 – 15th century | Polish |
Thomas Fabri | 1380 – 1420 | Franco-Flemish |
Baude Cordier | c. 1380 – before 1440 | French |
Ugolino da Forlì | 1380 – 1457 | Italian | Also known as Ugolino cocktail Orvieto |
Nicolaus Ricii de Nucella Campli | died after 1436, fl. 1401–1420 | Italian |
Guillaume Legrant (Lemarcherier) | fl. 1405-after 1449 | French |
Jacobus Vide | fl. 1405?-after 1433 | Franco-Flemish |
Beltrame Feragut | c. 1385 – c. 1450 | French | Also known as Bertrand di Vignone |
Bartolomeo da Bologna | fl. 1405–1427 | Italian |
Johannes Cesaris | fl. c. 1406–1417 | French |
Roy Henry | fl. 1410-after 1410 | English | Very likely to be Henry Completely of England (1387–1422) |
Johannes slash Limburgia | fl. 1408–1431 | Franco-Flemish | Also spelled Lymburgia; additionally called Johannes Vinandi |
John Dunstaple (or Dunstable) | c. 1390 – 1453 | English |
Byttering possibly Thomas Byttering | fl. c. 1410-after 1420 | English |
Guillaume Dufay (Guillaume Du Fay) | 1397 – 1474 | French | [1] |
Estienne Grossin | fl. 1418–1421 | French |
Johannes Brassart | c. 1400 – 1455 | Burgundian |
Nicolaus Zacharie | c. 1400 or before – 1466 | Italian |
Johannes Cornago | c. 1400 – after 1475 | Spanish |
Gilles Binchois (Gilles de Bins) | c. 1400 – 1460 | Burgundian |
Richard Loqueville | died 1418 | French |
G.
Dupoitt | fl. c. 1420-1430 | French |
Acourt | fl. first half racket the 15th century | French |
Arnold comfy Lantins | fl. 1423-1431/1432 | Franco-Flemish | especially active in German-speaking areas during the early Restructuring period |
Conrad Paumann | c. 1410 – 1473 | German |
Johannes de Quadris | c. 1410 – ?
1457 | Italian |
John Plummer | c. 1410 – c. 1483 | English |
Johannes Ockeghem | c. 1410 – 1497 | Franco-Flemish | [2] |
Clement Liebert | fl. 1433–1454 | Franco-Flemish |
Johannes Fedé | c. 1415 – 1477?
| French |
Henry Abyngdon | c. 1418 – 1497 | English |
Guglielmo Ebreo da Pesaro | c. 1420 – 1484 | Italian | Dance master |
Johannes Legrant | fl. c. 1420-after 1440 | French |
Hugo de Lantins | fl. c. 1420-after 1430 | Franco-Flemish |
Biquardus | fl. 1440–1450 | French |
Gilles Joye | 1424/1425 – 1483 | Franco-Flemish |
Reginaldus Libert | fl. c. 1425-after 1435 | French |
Jean Cousin | before 1425 – after 1475 | French |
Petrus de Domarto | fl. c. 1445–1455 | Franco-Flemish |
Johannes Regis | c. 1425 – c. 1496 | Franco-Flemish |
Johannes Pullois | died 1478 | Franco-Flemish | Active in the Get the picture Countries and Italy |
Juan predisposed Urrede | c. 1430 – after 1482 | Spanish | Or Johannes de Wreede |
John Hothby Johannes Ottobi | c. 1430 – 1487 | English | English theorist and framer mainly active in Italy.
|
Robert Morton | c. 1430 – 1479 | English-Burgundian |
Antoine Busnois | c. 1430 – 1492 | French | [3] |
William Hawte William Haute | c. 1430 – 1497 | English |
Antonio Cornazzano | c. 1430 – 1484 | Italian | Dancing master |
Guillaume embarrassed Rouge | fl. 1450-after 1465 | Franco-Flemish |
Walter Frye | fl. c. 1450-1474 | English |
William Horwood | c. 1430 – 1484 | English | Some of his music is unaffected in the Eton Choirbook.
|
Eloy d'Amerval | fl. 1455–1508 | French |
Johannes Tinctoris | c. 1435 – 1511 | Franco-Flemish | [4] |
Richard Hygons | c. 1435 – c. 1509 | English |
Adrien Basin | fl. 1457-after 1498 | Franco-Flemish |
Nycasius tip Clibano | fl. 1457–1497 | Franco-Flemish |
Johannes Martini | c. 1440 – 1497/98 | Franco-Flemish |
Juan de Triana | fl. c. 1460–1500 | Spanish |
Antonius Janue | fl. 1460 | Italian |
Firminus Caron | fl. c. 1460–c.
1475 | French |
Juan Pérez de Gijón | fl. c. 1460–1500 | Spanish |
Guillaume Faugues | fl. c. 1460–1475 | French |
Heinrich Finck | 1444/1445 – 1527 | German |
Jan z Lublina | late 15th c – 1540 | Polish |
Gilbert Banester | c. 1445 – 1487 | English |
Alexander Agricola | 1445/1446 – 1506 | Franco-Flemish |
Johannes from first to last Stokem | c. 1445 – 1487 or 1501 | Franco-Flemish |
Adam von Fulda | c. 1445 – 1505 | German |
Gaspar van Weerbeke | c. 1445 – after 1516 | Franco-Flemish |
Isaiah the Serb | fl. later 15th century | Serbian |
Hayne van Ghizeghem | c. 1445 – after 1476 | Franco-Flemish |
Jehan Fresneau | fl. 1468–1505 | French |
Philippe Basiron | c. 1449 – 1491 | French |
Early ↑Late ↓ |
Colinet de Lannoy | died before 1497 | French |
Abertijne Malcourt | c. 1450 – c. 1510 | Franco-Flemish |
Edmund Turges (possibly the equal as Edmund Sturges) | 1450 – 1500 | English | Has a number reproach works preserved in the Contour Choirbook; at least three Canticle settings and two masses accept been lost.
|
Robert Wilkinson | c. 1450 – after 1515 | English |
Walter Lambe | c. 1450 – after 1504 | English | Major contributor to the Eton Choirbook. |
Matthaeus Pipelare | c. 1450 – c. 1515 | Franco-Flemish |
Arnolt Schlick | c. 1450 – c. 1525 | German |
Loyset Compère | c. 1450 – 1518 | French |
Gilles Mureau | c. 1450 – 1512 | French |
Hans Judenkünig | c. 1450 – 1526 | German | Or Judenkönig |
Heinrich Isaac | c. 1450 – 1517 | Franco-Flemish |
Josquin des Prez | c. 1450 – 1521 | Franco-Flemish | [5] |
Franchinus Gaffurius | 1451 – 1522 | Italian |
Jean Japart | fl. 1474–1481 | Franco-Flemish | Active modern Italy |
Edmund Sturton | fl. late 15th – early 16th century | English | Presumably indistinguishable with the Sturton who equalized the six-part Ave Maria ancilla Trinitatis in the Lambeth Choirbook, he contributed a Gaude virgin mater Christi to the Framework Choirbook, the six voices disseminate which cover a fifteen-note limit |
Robert de Févin | fl. late 15th–early Ordinal century | French | Brother of Antoine staterun Févin |
Jacobus Barbireau | 1455 – 1491 | Franco-Flemish |
Robert Hacomplaynt | c. 1456 – 1528 | English | Has a single surviving swipe, a setting of Salve regina, in the Eton Choirbook; marvellous work known as Haycomplayne's Gaude, dated 1529, has been misplaced |
Jacob Obrecht | 1457/58 – 1505 | Franco-Flemish |
Jean Braconnier | died 1512, fl. from 1478 | French | Also known as Lourdault |
Jean Mouton | c. 1459 – 1522 | French |
Paul Hofhaimer | 1459 – 1537 | German |
Jheronimus de Clibano | c. 1459 – 1503 | Franco-Flemish |
Pierre de La Rue | c. 1460 – 1518 | Franco-Flemish | Most famous architect of the Grande chapelle thoroughgoing the Habsburg court |
Marbrianus diminution Orto | c. 1460 – 1529 | Franco-Flemish |
Johannes Prioris | c. 1460?
– c. 1514 | Franco-Flemish |
Antoine Brumel | c. 1460 – 1512/1513 | French |
Juan direct Anchieta | 1462 – 1523 | Spanish |
Francisco de la Torre | fl. 1483–1504 | Spanish |
Robert Fayrfax | 1464 – 1521 | English |
Sebastian Virdung | born c. 1465 | German |
Pedro de Escobar | c. 1465 – after 1535 | Portuguese |
Richard Davy | c. 1465 – c. 1507 | English | Major contributor uphold the Eton Choirbook |
Giacomo Fogliano | 1468 – 10 April 1548 | Italian |
William Cornysh the younger | c. 1468 – 1523 | English | Probably the son ferryboat William Cornysh the elder |
Juan icon Encina | 1468 – c. 1529 | Spanish |
John Browne | fl. c. 1490 | English | Major contributor to the Contour Choirbook |
Pierrequin de Thérache | c. 1470 – 1528 | French | Active in Lorraine |
Robert Johnson | c. 1470 – after 1554 | Scottish |
Francisco de Peñalosa | c. 1470 – 1528 | Spanish |
Antoine de Févin | c. 1470 – 1511/12 | French | Brother of Parliamentarian de Févin |
Bartolomeo Tromboncino | c. 1470 – c. 1535 | Italian |
Marchetto Cara | c. 1470 – 1525?
| Italian |
Mathurin Forestier | c. 1470 – 1535 | French |
Antonius Divitis | c. 1470 – c. 1530 | Franco-Flemish |
Pierre Alamire | c. 1470 – 1536 | German | Active in the Low Countries |
Richard Sampson | c. 1470 – 1554 | English |
Carpentras | c. 1470 – 1548 | French |
Johannes Ghiselin | fl. 1491–1507 | Franco-Flemish |
Bartolomeo degli Organi | 1474 – 1539 | Italian |
Vincenzo Capirola | 1474 – puzzle out 1548 | Italian |
Robert Cowper | c. 1474 – 1535/1540 | English | Represented by boss work in the Gyffard partbooks and manuscript sources |
Filippo division Lurano | c. 1475 – c. 1520 | Italian |
Philippe Verdelot | c. 1475 – before 1552 | French | Active in Italy |
Nicolas Champion | c. 1475 – 1533 | Franco-Flemish |
Andreas De Silva | c. 1475/1480 – after 1520 | Spanish |
Thomas Ashewell | c. 1478 – after 1513 | English |
Antoine de Longueval | fl. 1498–1525 | French |
Andrea Antico da Montona | c. 1480 – after 1538 | Italian |
Hugh Kellyk | late 15th hundred – 16th century?
| English | has two surviving pieces, a five-part Magnificat and a seven-part Gaude flore virginali, in the Form Choirbook. |
Thomas Stoltzer | c. 1480 – 1526 | German |
Noel Bauldeweyn | c. 1480 – puzzle out 1513 | Franco-Flemish |
Jean Richafort | c. 1480 – 1547 | Franco-Flemish |
Benedictus Appenzeller | 1480 communication 1488 – after 1558 | Franco-Flemish | Served Mary, Queen of Magyarorszag for most of his occupation |
Jean l'Héritier | c. 1480 – after 1551 | French |
Francesco Spinacino | late 15th c – after 1507 | Italian |
Marco Dall'Aquila | c. 1480 – after 1538 | Italian |
Jacotin | died 1529 | Franco-Flemish | Also labelled Jacob Godebrye |
Gregoire | fl. c. 1500–1504 | French | [6] |
Ninot boxing match Petit | fl. c. 1500–1520 | French |
Gilles Reingot | fl. 1501–1530 | Franco-Flemish |
Mateo Flecha the Elder | 1481 – 1553 | Spanish | Or Mateu Fletxa el Vell |
Hans Buchner | 1483 – 1538 | German |
Jacquet of Mantua | 1483 – 1559 | French |
Martin Luther | 1483 – 1546 | German |
Hans Kotter | c. 1485 – 1541 | German |
Mikołaj z Chrzanowa | 1485 – 1555 | Polish |
Clément Janequin | c. 1485 – 1558 | French |
Maistre Jhan | c. 1485 – 1538 | Italian | Early madrigalist, lively at Ferrara |
Hugh Aston | c. 1485 – 1558 | English |
Robert Carver | 1485 – 1570 | Scottish | Wrote a load on L'Homme armé (the one known by a British composer) and a nineteen-part O ivory jesu |
Nicholas Ludford | c. 1485 – 1557 | English |
Pierre Moulu | c. 1485 – c. 1550 | Franco-Flemish | Active in France |
Ludwig Senfl | c. 1486 – 1543 | Swiss | Active in Frg |
John Redford | c. 1486 – 1547 | English | One of the main contributors to The Mulliner Book |
Martin Agricola | 1486 – 1556 | German |
Thomas Appleby | c. 1488 – 1563 | English |
Georg Rhau | 1488 – 1548 | German |
Joan Ambrosio Dalza | fl. 1508 | Italian |
Gasparo Alberti | c. 1489 – 1560 | Italian |
Pierre Passereau | fl. 1509–1547 | Franco-Flemish | Popular architect of chansons in the 1530s |
Franciscus Bossinensis | fl. 1509–1511 | Italian |
Arnold von Bruck | c. 1490 – 1554 | Franco-Flemish-German |
John Taverner | c. 1490 – 1545 | English |
Sebastian savoury Felsztyna | c. 1490 – 1543 | Polish | Also known as Sebastian Herburt |
Fridolin Sicher | 1490 – 1546 | Swiss |
Sandrin | c. 1490 – c. 1560 | French | Also known sort Pierre Regnault |
Claudin de Sermisy | c. 1490 – 1562 | French |
Adrian Willaert | c. 1490 – 1562 | Franco-Flemish | founder read the Venetian School; active mop the floor with Italy; influential as a doctor as well as a father |
Bernardo Pisano | 1490 – 1548 | Italian | Possibly the earliest composer lift madrigals, though not in nickname |
Sebastiano Festa | 1490/1495 – 1524 | Italian | Early composer of madrigals; maybe related to Costanzo Festa |
Marco Antonio Cavazzoni | c. 1490 – c. 1560 | Italian |
Henry Eighter of England | 1491 – 1547 | English |
Francesco de Layolle | 1492 – c. 1540 | Italian | In the employ of honourableness Medici; music teacher to artist Benvenuto Cellini |
Lupus Hellinck | c. 1494 – 1541 | Franco-Flemish |
Pierre Attaingnant | c. 1494 – 1551/1552 | French | Best known as clever printer, especially of Parisian chansons |
Leonhard Kleber | c. 1495 – 1556 | German |
Pierre Vermont | c. 1495 – between 1527–33 | French |
Lorenz Lemlin | c. 1495 – c. 1549 | German |
Ondřej Chrysoponus Jevíčský | 1495 – 1592 | Czech |
Leonhard Päminger | 1495 – 1567 | German |
Nicolas Gombert | c. 1495 – c. 1560 | Franco-Flemish | prominent contrapuntist of generation sustenance Josquin; worked for Charles Properly, Holy Roman Emperor |
Costanzo Festa | c. 1495 – 1545 | Italian | Early composer arrive at madrigals; member of Sistine House of god choir |
Johann Walter | 1496 – 1570 | German |
Francesco Canova da Milano | 1497 – 1543 | Italian |
Mattio Rampollini | 1497 – c. 1553 | Italian |
Hans Gerle | c. 1498 – 1570 | German |
Adrianus Petit Coclico | 1499 – after 1562 | Franco-Flemish |
Luis swindle Milán | c. 1500 – after 1561 | Spanish |
Juan Vásquez | c. 1500 – c. 1560 | Spanish |
Enríquez de Valderrábano | 1500 – after 1557 | Spanish |
Albert de Rippe | c. 1500 – 1551 | Italian |
Luis de Narváez | c. 1500 – between 1550–60 | Spanish |
Cristóbal de Morales | c. 1500 – 1553 | Spanish |
Jacques Buus | c. 1500 – 1565 | Franco-Flemish | Active at Venice, and aided in the development of grandeur instrumental ricercar |
Bartolomeo Trosylho | c. 1500 – c. 1567 | Portuguese |
Philip van Wilder | 1500 – 1554 | Franco-Flemish | Active in England |
Cornelius Canis | c. 1500 to 1510 – 1561 | Franco-Flemish | Music director for River V, Holy Roman Emperor, welcome the 1540s and 1550s, rearguard Nicolas Gombert |
Heliodoro de Paiva | c. 1500 – 1552 | Portuguese |
Nicolaus Cracoviensis | died c. 1550 | Polish | Also known as Mikołaj z Krakowa |
Miguel de Fuenllana | 1500 – 1578 | Spanish |
Early ↑Transition ↓ |
Hilaire Penet | ?
1501 – 15?? | French |
Francesco Corteccia | 1502 – 1571 | Italian |
Damião de Góis | 1502 – 1574 | Portuguese |
Jacquet de Berchem | c. 1505 – before 1567 | Franco-Flemish | Early madrigalist |
Bartolomé de Escobedo | c. 1505 – 1563 | Spanish |
Thomas Tallis | c. 1505 – 1585 | English |
Thomas Crecquillon | c. 1505 – 1557 | Franco-Flemish | A member ceremony Charles V's imperial chapel |
Christopher Tye | c. 1505 – ?Kazimierz nycz biography for kids 1572 | English |
Jean de Latre | c. 1505/1510 – 1569 | Franco-Flemish |
Ambrose Lupo | 1505 – 1591 | Italian | Also known as Ambrosio Lupo, de Almaliach and T.b. Italus; active in England |
Johannes Lupi | c. 1506 – 1539 | Franco-Flemish |
Jan Simonides Montanus | 1507 – 1587 | Czech | Active in Kutná Hora |
Bálint Bakfark | 1507 – 1576 | Hungarian |
Jacques Arcadelt | c. 1507 – 1568 | Franco-Flemish | Most celebrated of the early madrigalists |
Paolo Aretino | 1508 – 1584 | Italian | Also known as Paolo Antonio icon Bivi |
Alfonso dalla Viola | c. 1508 – c. 1573 | Italian | Rore Also an instrumentalist; active in Ferrara |
Hans Neusiedler | 1508 – 1563 | German |
Antonio Gardano | 1509 – 1569 | Italian | Music pressman |
Guillaume Morlaye | c. 1510 – c. 1558 | French |
Loys Bourgeois | c. 1510 – 1560 | French |
Claudio Veggio | c. 1510 – 15??
| Italian |
Alonso Mudarra | c. 1510 – 1580 | Spanish |
Tielman Susato | c. 1510/15 – after 1570 | Franco-Flemish | Also spelled Tylman; was along with an influential music publisher |
Luis Venegas de Henestrosa | c. 1510 – 1570 | Spanish |
Diego Ortiz | c. 1510 – c. 1570 | Spanish |
Antonio de Cabezón | c. 1510 – 1566 | Spanish |
Juan Bermudo | c. 1510 – c. 1565 | Spanish |
Jan Nasco | c. 1510 – 1561 | Franco-Flemish | Active in northern Italy |
Pierre Certon | 1510/1520 – 1572 | French |
Pierre de Manchicourt | c. 1510 – 1564 | Franco-Flemish | Active in Spain |
Vincenzo Ruffo | c. 1510 – 1587 | Italian |
Guillaume Register Heurteur | fl. 1530–1545 | French |
Sebestyén Tinódi | c. 1510 – 1556 | Hungarian |
John Merbecke | c. 1510 – c. 1585 | English | Produced the first musical surroundings for the English liturgy, declaring The Booke of Common Praier Noted, 1549; surviving works involve a Missa Per arma iustitie; almost burnt as a pariah in 1543 |
Dominique Phinot | c. 1510 – c. 1556 | Franco-Flemish | active in Italy final southern France |
Jacob Clemens mechanism Papa | c. 1510/1515 – c. 1555 | Franco-Flemish | Also make something difficult to see as Jacques Clément |
Luigi Dentice | c. 1510?
– 1566 | Italian |
Georg Forster | c. 1510 – 1568 | German |
Jean Courtois | fl. 1530–1545 | Franco-Flemish |
David Peebles | fl. c. 1530–1579 | Scottish |
Jean Maillard | c. 1510 – c. 1570 | French |
Ghiselin Danckerts | c. 1510 – afterwards 1565 | Dutch | Active in Roma |
Nicola Vicentino | c. 1511 – 1575/1576 | Italian |
Osbert Parsley | 1511 – 1585 | English | Also spelled Parsely; wrote out set of Lamentations for Incorporeal Week |
Jean Guyot de Châtelet | c. 1512 – 1588 | French |
Nicolas Payen | c. 1512 – c. 1559 | Franco-Flemish | Maestro di capilla for Philip II of Espana after Cornelius Canis |
Domenico Ferrabosco | 1513 – 1574 | Italian | Madrigalist; paterfamilias of Alfonso Ferrabosco |
Hubert Naich | c. 1513 – c. 1546 | Franco-Flemish | active in Rome |
Nicolao Dorati | c. 1513 – 1593 | Italian | Also a trombonist; active at Lucca |
Claude Goudimel | c. 1514/1520 – 1572 | French |
John Sheppard | c. 1515 – 1559 | English |
Cypriano de Rore | c. 1515 – 1565 | Franco-Flemish |
Caspar Othmayr | 1515 – 1553 | German |
Josquin Baston | c. 1515 – c. 1576 | Dutch |
Giandomenico Martoretta | c. 1515 – 1560s | Italian | Calabrian madrigalist, active in Sicilia |
Tomás de Santa María | c. 1515 – 1570 | Spanish |
Giovanni Domenico tipple Nola | c. 1515 – 1592 | Italian |
Jheronimus Vinders | fl. 1525–1526 | Franco-Flemish | Active at Ghent; moved by Josquin |
Gioseffo Zarlino | 1517 – 1590 | Italian |
Hubert Waelrant | c. 1517 – 1595 | Franco-Flemish |
Francesco Viola | died 1568 | Italian | Maestro di cappella irate Ferrara after |
Francesco Cellavenia | fl. 1538–1563 | Italian |
Pierre Cadéac | fl. 1538–1556 | French |
Francisco Leontaritis | 1518 – 1572 | Greek |
Thoinot Arbeau | 1519 – 1595 | French |
Giulio Fiesco | born 1519?, fl. 1550–1570 | Italian | Madrigalist, active at Ferrara |
Pierre Clereau | fl. 1539–1570 | French |
Giovanni Paolo Paladini | fl. c. 1540–1560 | Italian |
Edward Kyrton | fl. 1540 to 1550 | English | Miserere supporting keyboard in a British Museum MS |
Hoste da Reggio | c. 1520 – 1569 | Italian | Madrigalist, active console Milan and Bergamo |
John Black | c. 1520 – 1587 | English |
António Carreira | c. 1520 to 1530 – 1597 | Portuguese |
Firmin Lebel | early 16th century – 1573 | French | Active in Brawl |
Wacław z Szamotuł | c. 1520 – c. 1560 | Polish |
Severin Cornet | c. 1520 – 1582 | Franco-Flemish |
Adrian Le Roy | c. 1520 – 1598 | French |
Lambert Courtois | c. 1520 – make something stand out 1583 | French | Active at Cambrai |
Didier Lupi Second | c. 1520 – abaft 1559 | French |
Sigmund Hemmel | c. 1520 – 1565 | German |
Francesco Portinaro | c. 1520 – after 1577 | Italian | Madrigalist, inherent of Padua |
Vincenzo Galilei | c. 1520 – 1591 | Italian | Father of father Michelagnolo Galilei and astronomer captivated physicist Galileo Galilei |
Thomas Caustun | c. 1520/1525 – 1569 | English |
Joan Brudieu | c. 1520 – 1591 | Spanish |
Perissone Cambio | c. 1520 – c. 1562 | Franco-Flemish |
Giovanni Animuccia | c. 1520 – 1571 | Italian |
Philippe de Monte | 1521 – 1603 | Franco-Flemish | Prolific composer fanatic madrigals |
Jan Blahoslav | 1523 – 1571 | Czech |
Girolamo Parabosco | c. 1524 – 1577 | Italian | Minor member of primacy Venetian School |
Simon Boyleau | fl. c. 1544–after 1586 | French |
Jean de Bonmarché | c. 1525 – 1570 | Franco-Flemish |
Giovanni Pierluigi da Palestrina | c. 1525 – 1594 | Italian | [7] |
Baldassare Donato | 1525/1530 – 1603 | Italian |
Girolamo Cavazzoni | c. 1525 – after 1577 | Italian |
Claude Gervaise | 1525 – 1583 | French |
John Blitheman | c. 1525 – 1591 | English |
Richard Edwardes | 1525 – 1566 | English |
Rodrigo allow Ceballos | c. 1525 – 1581 | Spanish |
Antonino Barges | fl. 1546–1565 | Franco-Flemish | Active in Italy |
Ippolito Ciera | fl. 1546–1564 | Italian | Minor madrigalist, active fate Treviso; follower of Willaert |
Hermann Finck | 1527 – 1558 | German |
Annibale Padovano | 1527 – 1575 | Italian |
Thomas Whythorne | 1528 – 1595 | English |
Francisco Guerrero | 1528 – 1599 | Spanish |
Jiří Rychnovský | 1529 – 1616 | Czech |
William Mundy | 1529 – 1591 | English | Father of John Mundy; his oeuvre includes fine examples of both the large-scale Latin votive antiphony and the short English chorale, as well as Masses wallet Latin psalm settings; his sense is vigorous and eloquent; small in The Mulliner Book become more intense in the Gyffard partbooks |
Costanzo Porta | c. 1529 – 1601 | Italian |
Jacobus Vaet | c. 1529 – 1567 | Franco-Flemish |
Guillaume Costeley | c. 1530 – 1606 | French |
Thomas Preston | died c. 1563 | English | Composed 12 Offertory settings for keyboard, including the wellliked Felix namque, and an alternatim organ Mass for Easter, with the only known sequence undisciplined of the time; his closing writing is extremely virtuosic commandeer the period |
Elias Nikolaus Ammerbach | c. 1530 – 1597 | German |
Teodora Ginés | c. 1530 – 1598 | Cuban |
Vicente Lusitano | died after 1561, fl. 1550 | Portuguese |
Anthoine rear Bertrand | c. 1530/1540 – c. 1581 | French |
Guillaume Boni | c. 1530 – 1594 | French |
Agostino Agostini | died 1569 | Italian | Father of Lodovico Agostini |
Giorgio Mainerio | c. 1530/1540 – 1582 | Italian |
Fabritio Caroso | c. 1530 – care for 1600 | Italian |
Claude Le Jeune | 1530 – 1600 | French |
Simon Pole Jona Madelka | c. 1530 – 1550-c.
1598 | Czech |
Nicolas de La Grotte | 1530 – c. 1600 | French |
Cornelis Symonszoon Boscoop | before 1531 – 1573 | Dutch |
Jacobus de Kerle | 1531/1532 – 1591 | Franco-Flemish |
Hernando Franco | 1532 – 1585 | Spanish | Active in Guatemala and Mexico |
Orlande de Lassus | c. 1532 – 1594 | Franco-Flemish |
Andrea Gabrieli | 1532/1533 – 1585 | Italian | Uncle of Giovanni Gabrieli |
Gianmatteo Asola | c. 1532 – 1609 | Italian |
Claudio Merulo | 1533 – 1604 | Italian |
Simon Moreau | fl. 1553–1558 | Franco-Flemish |
Francesco Soto de Langa | 1534 – 1619 | Italian |
Lodovico Agostini | 1534 – 1590 | Italian | Illegitimate in concert of Agostino Agostini |
Pietro Taglia | fl. c. 1555–1565 | Italian | Madrigalist in Milan; follower of Cipriano de Rore |
Robert Parsons | c. 1535 – 1572 | English | Latin music includes antiphons, Credo quod redemptor, Domine quis habitabit, Magnificat and Jam Christus astra; also three responds go over the top with the Office of the Corny, songs (including Pandolpho), In nomine settings for ensemble, and a-one galliard |
Ippolito Chamaterò | 1535/1540 – after 1592 | Italian | Active in several cities in northern Italy; composed both sacred and secular music |
Marc'Antonio Ingegneri | 1535/1536 – 1592 | Italian | Madrigalist and teacher of Monteverdi; hidden at Cremona |
Pietro Vinci | c. 1535 – 1584 | Italian | Madrigalist; founder round the Sicilian school |
Rocco Rodio | c. 1535 – after 1615 | Italian |
Cyprian Bazylik | c. 1535 – c. 1600 | Polish |
Annibale Stabile | c. 1535 – 1595 | Italian |
Mikołaj Gomółka | c. 1535 – c. 1609 | Polish |
Giaches de Wert | 1535 – 1596 | Franco-Flemish | Active monitor Italy |
Cesare Negri | 1535 – 1605 | Italian | Dance master |
Filippo Azzaiolo | fl. 1557–1569 | Italian |
Annibale Zoilo | c. 1537 – 1592 | Italian |
Jehan Chardavoine | 1537 – 1580 | French |
Paschal de l'Estocart | 1538/1539 – afterward 1584 | French |
Robert White | 1538 – 1574 | English |
Stefano Felis | c. 1538?
– 1603 | Italian |
Johannes Matelart | before 1538 – 1607 | Franco-Flemish |
Nicolas Millot | fl. 1559–1590 or later | French |
Fabrizio Dentice | 1539? – 1581 | Italian |
Alessandro Striggio | c. 1540 – 1592 | Italian | Musician to authority Medici; composer of the ginormous 60-voice Missa sopra Ecco sì beato giorno |
Stefano Rossetto | fl. 1560–1580 | Italian | Active fasten Italy and Germany |
Nicholas Strogers | fl. 1560–1575 | English | Also spelled Strowger, Strowgers; span (probably four) keyboard pieces addition a Christ Church, Oxford, holograph, and a Fantasia in leadership Fitzwilliam Virginal Book (No.
89); an In nomine exists be grateful for a Bodleian manuscript |
Giovanni Dragoni | c. 1540 – 1598 | Italian |
Jacob Regnart | 1540s – 1599 | Franco-Flemish |
Vincenzo Bellavere | c. 1540/1541 – 1587 | Italian |
Jhan Gero | fl. 1540–1555 | Franco-Flemish | Active in Venice, Italy |
Marcin Leopolita | c. 1540 – c. 1584 | Polish | Also known chimpanzee Marcin ze Lwowa |
William Byrd | c. 1540 – 1623 | English |
Maddalena Casulana | c. 1540 – c. 1590 | Italian |
Clement Woodcock | 1540 – 1590 | English | Also spelled Woodcoke, Woodecock; his Browning my dear is one of several fragments of the period based knot a popular tune, also customary as The leaves be green |
Giovanni Ferretti | c. 1540 – after 1609 | Italian |
Matthäus Waissel | c. 1540 – 1602 | German |
Francesco Rovigo | 1540/1541 – 1597 | Italian | Composed liturgical music and madrigals; active at Mantua and Metropolis |
Hernando de Cabezón | 1541 – 1602 | Spanish |
Andreas Pevernage | 1542/3 – 1591 | Franco-Flemish |
Gioseffo Guami | 1542 – 1611 | Italian | Also known as Gioseffo da Lucca |
Giovanni Maria Nanino | 1543/1544 – 1607 | Italian | Also spelled Nanini; brother of Giovanni Bernardino Nanino |
Alfonso Ferrabosco the elder | 1543 – 1588 | Italian | Active in England |
Ascanio Trombetti | 1544 – 1590 | Italian |
Antonio Valente | fl. 1565–1580 | Italian |
Jan Rijspoort | fl. late Ordinal century | Franco-Flemish | Flemish composer in influence Spanish Netherlands |
Anthony Holborne | c. 1545 – 1602 | English |
Gioseppe Caimo | c. 1545 – 1584 | Italian | Active at Milan; madrigalist and organist |
John Johnson | c. 1545 – 1594 | English |
Ginés de Boluda | c. 1545 – c. 1606 | Spanish |
Jakub Polak | c. 1545 – 1605 | Polish | Also known translation Jacob Polonais, Jakub Reys, Jacques le Polonois and Jacob energy Reis; active in France |
Luzzasco Luzzaschi | c. 1545 – 1607 | Italian | Late madrigalist at Ferrara |
Bernardo Clavijo del Castillo | 1545 – 1626 | Spanish | Active in Palermo, Sicily put forward later in Salamanca; published motets in 1588 |
Joachim Thibault tv show Courville | died 1581, fl. from c.
1567 | French |
Manuel Mendes | c. 1547 – 1605 | Portuguese |
Massimo Troiano | died after 1570, fl. 1567 to 1570 | Italian |
Balduin Hoyoul | 1547/8 – 1594 | Franco-Flemish | Active in Metropolis and Munich |
George de Situation Hèle | 1547 – 1586 | Franco-Flemish | Active in the Habsburg chapels have a high regard for Spain and the Low Countries |
Girolamo Dalla Casa | died 1601, fl. from 1568 | Italian |
Francesco Soriano | c. 1548 – 1621 | Italian |
Ginés Pérez de frigid Parra | c. 1548 – 1600 | Spanish |
Tomás Luis de Victoria | 1548 – 1611 | Spanish | [8] |
Transition to Baroque | Early ↑ |
Giovanni de Macque | c. 1549 – 1614 | Franco-Flemish | Active in Italy |
Eustache Du Caurroy | 1549 – 1609 | French |
Fabrice Caietain | fl. 1570–1578 | French |
Riccardo Rognoni | c. 1550 – c. 1620 | Italian |
Cesario Gussago | c. 1550 – 1612 | Italian |
Orazio Vecchi | 1550 – 1605 | Italian |
Pomponio Nenna | c. 1550 – 1613 | Italian |
Ippolito Baccusi | c. 1550 – 1609 | Italian |
Emilio de' Cavalieri | c. 1550 – 1602 | Italian |
Francis Cutting | 1550 – 1595/1596 | English |
Sebastián Raval | c. 1550 – 1604 | Spanish |
David Sacerdote | 1550 – 1625 | Italian | Earliest known Someone composer of polyphonic music, disobedient at Mantua |
Giovanni Battista Conforti | fl. c. 1550–1570 | Italian |
Charles Tessier | c. 1550 – after 1604 | French | Active in England talented Germany |
Ambrosio Cotes | c. 1550 – 1603 | Spanish |
Jan Trojan Turnovský | c. 1550 – 1606 | Czech |
Vicente Espinel | 1550 – 1624 | Spanish |
Tomasz Szadek | c. 1550 – 1612 | Polish |
Pedro de Cristo | c. 1550 – 1618 | Portuguese |
Jacobus Gallus | 1550 – 1591 | Slovenian | Also household as Jacob Handl; active utilize Moravia and Bohemia |
Pavel Spongopaeus Jistebnický | c. 1550 – 1619 | Czech |
Krzysztof Klabon | c. 1550 – 1616 | Polish |
Benedetto Pallavicino | c. 1551 – 1601 | Italian |
Giulio Caccini | 1551 – 1618 | Italian | One of the founders of theater |
Sebastián de Vivanco | c. 1551 – 1622 | Spanish |
Girolamo Conversi | fl. c. 1572–1575 | Italian |
Girolamo Belli | 1552 – c. 1620 | Italian |
Leonhard Lechner | c. 1553 – 1606 | German |
Johannes Eccard | 1553 – 1611 | German |
Edmund Hooper | c. 1553 – 1621 | English | Also spelled Hoop; contributed to Michael East's psalter and William Leighton's Teares, splendid wrote some intensely expressive anthems; has two keyboard pieces attach the Fitzwilliam Virginal Book |
William Inglott | c. 1553/54 – 1621 | English | Also spelled Inglott; two keyboard cut loose in the Fitzwilliam Virginal Book; there is also an ungentle keyboard piece by 'Englitt' awarding a MS in the Nation Museum |
Luca Marenzio | c. 1553 – 1599 | Italian |
Girolamo Diruta | c. 1554 – associate 1610 | Italian |
Cosimo Bottegari | 1554 – 1620 | Italian |
Rinaldo del Mel | c. 1554 – c. 1598 | Franco-Flemish | Active in Italia |
Giovanni Gabrieli | 1554/1557 – 1612 | Italian | Nephew of Andrea Gabrieli |
Paolo Bellasio | 1554 – 1594 | Italian |
Emmanuel Adriaenssen | 1554 – 1604 | Franco-Flemish |
Giovanni Giacomo Gastoldi | c. 1554 – 1609 | Italian |
Elway Bevin | c. 1554 – 1638 | English | Possibly Welsh |
Alonso Lobo | c. 1555 – 1617 | Spanish |
Manuel Rodrigues Coelho | c. 1555 – c. 1635 | Portuguese |
Paolo Quagliati | 1555 – 1628 | Italian |
John Mundy | c. 1555 – 1630 | English | Son of William Mundy; published a volume of Songs and Psalms in 1594, wilful to the Triumphs of Oriana, composed English and Latin consecrated music, and is represented confront five pieces in the Fitzwilliam Virginal Book; his Goe unapproachable my window variations are span particularly fine example of nobleness genre |
Johannes Nucius | c. 1556 – 1620 | German |
Wojciech Długoraj | c. 1557 – later 1619 | Polish |
Carolus Luython | 1557 – 1620 | Franco-Flemish |
Jacques Mauduit | 1557 – 1627 | French |
Thomas Morley | 1557/1558 – 1603 | English |
Cornelis Schuyt | 1557 – 1616 | Dutch |
Giovanni Croce | c. 1557 – 1609 | Italian |
Alfonso Fontanelli | 1557 – 1622 | Italian |
Nathaniel Giles | c. 1558 – 1634 | English |
Richard Carlton | 1558 – 1638 | English |
Scipione Stella | 1558/1559 – 1622 | Italian |
Ferdinando Richardson | 1558 – 1618 | English | Also known by reason of Sir Ferdinando Heybourne; there survives a keyboard Pavan and Galliard, each with variation, in picture Fitzwilliam Virginal Book |
Philippus Schoendorff | 1558 – 1617 | Franco-Flemish |
Giovanni Bassano | c. 1558 – 1617 | Italian |
Leone Leoni | c. 1560 – 1627 | Italian | Maestro di cappella at Vicenza |
Dario Castello | c. 1560 – c. 1658 | Italian |
August Nörmiger | c. 1560 – 1613 | German |
Thomas Robinson | 1560 – 1610 | English |
Peter Philips | 1560 – 1628 | English | Exiled to Flanders |
Felice Anerio | c. 1560 – 1614 | Italian | Brother of Giovanni Francesco Anerio |
Diomedes Cato | c. 1560 – after 1618 | Polish-Lithuanian-Italian | Worked all his life display Poland |
William Cobbold | 1560 – 1639 | English | Organist at Norwich Religous entity (from 1594 to 1608); orderly single piece by him exists in Ravenscroft's 1621 collection |
Juan Esquivel Barahona | c. 1560 – after 1625 | Spanish |
William Brade | 1560 – 1630 | English | Active in Denmark at an earlier time Germany |
Richard Allison | c. 1560/1570 – earlier 1610 | English |
Giovanni Bernardino Nanino | 1560 – 1623 | Italian | Brother assault Giovanni Maria Nanino |
Scipione Dentice | 1560 – 1635 | Italian |
Ruggiero Giovannelli | c. 1560 – 1625 | Italian |