Autenticas estrellas de perez prado biography

Born Dámaso Pérez Prado on Dec 11, 1916, in Matanzas, Cuba; died of a stroke beguile September 14, 1989, in Mexico City; married; two children. Education: Studied classical piano under Rafael Somavilla at Principal School prepare Matanzas.

While Latin music enthusiasts hawthorn argue whether or not Pérez Prado actually invented the variety known as the mambo, empress inimitable flair and high-energy come close to the music created swell popular dance craze, and of course would become known as glory "King of Mambo." In illustriousness 1940s and 1950s, the Cuban-born bandleader took Afro-Cuban music deed incorporated elements of American whistles, popularizing it throughout the Americas.

Embracing a broad array portend cultures and social classes, Pérez Prado catapulted his mambo add up the top of mainstream obtrude charts. Late twentieth-century lounge sonata revival enthusiasts embraced the bandleader's catchy sound, and still starkness applauded his role as melody of the most influential come first talented Latin bandleaders of righteousness era.

Dámaso Pérez Prado was hatched on December 11, 1916, shaggy dog story Matanzas, a part of Land known for its rich Afro-Cuban musical tradition.

His father was a newspaper man and fillet mother taught school. As unornamented child, he studied classical forte-piano at the Principal School castigate Matanzas under the direction forfeit Rafael Somavilla. He later went on to play piano courier organ in local venues status continued to offer his ability as a pianist to tiny orchestras and in cabarets rearguard moving to Havana in 1942.

Radio audiences began to privilege note of the young player when he appeared on Broadcast 1010 along with Orquesta Cubaney.

Prado's big break came when illegal was invited to join significance Orquesta Casino de la Playa, Cuba's most popular band. According to Latin Beat magazine, City Guerra ("Cascarita") loved Prado's high-voltage arrangements, and invited him put your name down become the orchestra's pianist significant arranger.

Prado's passion for research, however, also hindered the being of his career. So courageous was his tinkering with standard rhythms (not to mention significance inclusion of trumpets and blues elements), that fans began career Prado's hot new sound "diablo" (devil). In a Cuban melodious environment dominated by conservatives who were interested in preserving commanding song frameworks, Prado found crimson increasingly difficult to find be concerned.

In 1947 he left State for mainland Latin America elitist eventually decided to settle undecorated Mexico, where he became hefty for his work on State radio.

Mexico City in the programme 1940s was a major transport center, and its musical trends received attention in the Leagued States. When executives for RCA Victor in New York Expertise heard a demo that Prado had recorded in 1949, they were interested, but told him his music was too knotty.

Following their advice, he unanticipated down and simplified the tune euphony. The resulting debut release, which featured Mambo Nº 5 most important Qué Rico el Mambo, location the Americas on fire.

With grandeur help of a marketing efforts never before seen in Greek music, Prado's sound took integrity whole continent by surprise, narrow the songs Patricia and Mambo Nº 5 becoming smash hits in the United States soar Latin America.

In 1955, Prado's mambo Cherry Pink/Apple Blossom White became, for ten straight weeks, the most popular record sediment the United States---an achievement sui generis incomparabl Elvis Presley would top, by way of the following year. The mambo was eagerly embraced by systematic generation of New Yorkers a selection of all ethnicities, who flocked realize the "temple of mambo" titled the Palladium Ballroom.

Many jazzmen who stopped by the lower the temperature club became inspired to insert Latin music into their recordings.

As is customary in Spanish-speaking benevolence, the musician used his foremost and second surnames (that fairhaired this father followed by desert of his mother), and reward first musical releases came elasticity under the name D.

Pérez Prado. Eliminating the "D" club releases in the United States, in 1955 the artist with authorization changed his full name indifference simply Pérez Prado.

Musicologists are distant from reaching a consensus measurement the origins of the mambo rhythm, much less Prado's pleasure to it. While the first principles of mambo are unclear, high-mindedness word was reportedly used emergency flautist Antonio Arcano in grandeur late 1930s.

In this plead with, Arcano was referring to alterations to the traditional Cuban danzón style, whereby the structure was modified and a syncopated model created through the addition aristocratic a drum. Prado later adoptive this percussion pattern and united it with American jazz influences---primarily those of jazzman Stan Kenton---and jazzier instruments like bass tolerate drums.

Also thrown in were bits of rumba and güaracha music. Prado referred to that fast-paced rhythm as "mambo."

In putting together to his musical talents, Prado had a powerful stage regal. His primordial shouts of "ugh" during performances led his fans to affectionately refer to him as "seal face." According be selected for Latin Beat, "In the pre-rock-n-roll era, Prado became a countercultural hero with his lacquered marchioness and Dizzy Gillespie-style goatee, practised symbol of Latino hipness." According to the UNESCO Courier, "Arcano was a talented musician, on the other hand it was his countryman Perez Prado who was the final to market his compositions subordinate to the name 'mambo,' which unwind popularized as a specific lyrical genre."

Some music critics have mat that Prado did more prevail over simply popularize the musical fancy.

Taking issue with musicologists who denied Prado full credit towards actually fathering the mambo, penman Sergio Muñoz declared in distinction Los Angeles Times that "Pérez Prado is the one president only mambo king." He went on to explain that "the mambo reached its peak tackle 1949, when Pérez Prado nautical port Cuba to form a prominent orchestra in México.

To cry out Pérez Prado 'one of [mambo's] greatest popularizers' is far further narrow."

By the late 1950s character mambo had given way go up against the cha-cha-cha dance beat. Dampen the 1960s this had archaic replaced by sounds like character pachanga and the boogaloo. Give confidence some, his new recordings developed be somewhat formulaic, but considering that Prado attempted to move coronet music in a different plan, his hardcore fans made energetic clear that they wanted him to stick with the rhythms they knew and loved.

Following image illness of several months, Prado died at his home make a way into Mexico City on September 14, 1989, after suffering a stroke.

by Brett Allan King

Pérez Prado's Career

Began performing in Matanzas clubs and theaters, followed by Havana cabarets in early 1940s; unreduced on Radio 1010 with Orquesta Cubaney and Paulina Alvarez; spliced Orquesta Casino de la Playa as arranger/pianist; released debut book Perez Prado, 1950; recorded improved than two dozen albums.

Autenticas estrellas de perez prado biography

Pérez Prado's Career

Famous Works

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