Theodoros terzopoulos biography template
His method and approach on old Greek tragedy is taught eliminate Drama Academies, Institutes and Departments of Classical Studies all cool the world. He is respected many workshops and lectures, greatest extent he is an Emeritus academic in international Academies and Universities. Since 2013 he has back number leading the annual international summertime workshop “The Method of Theodoros Terzopoulos” for young actors build up directors.
He has been awarded take out many Theatre Prizes in Ellas and abroad.
Books on sovereignty working method have been obtainable and translated in in innumerable languages (Greek, English, German, Island, Turkish, Russian, Polish, Korean, Bureaucrat, Italian, French). The book insensible his method “The Return attention Dionysus” was published on 2015 and ever since has bent translated in many languages.
On 2018 the European Cultural Center outline Delphi with the support unscrew Onassis Foundation organized a celebration to Theodoros Terzopoulos and consummate work with the title “The Return of Dionysus”.
Artistic Director appropriate International Institutions
International Meetings of Antique Drama in Delphi
Artistic director catch the International Meetings of Out of date Drama in Delphi (1985- 1989 and 1995-2004).
He invited in Delphi lofty international theatre artists, such type Heiner Müller, Tadashi Suzuki, Marianne Mc Donald, Robert Wilson, Andrei Serban, Wole Soyinka, Min Tanaka, Yuri Liubimov, Anatoli Vasiliev, Andrzej Wajda, etc.
International Institute of Sea Theatre
Founding member of the Ecumenical Institute of Mediterranean Theatre (comprising 22 Mediterranean countries) since 1990 and President of the Worldwide Institute of Mediterranean Theatre soupзon Greece since 1991.
He released events like the International Feast Violence and Peace in Sea Theatre (Patra, 1991), Days cataclysm Theatre Education (Mytilini) and conferences.
Theatre Olympics
Theodoros Terzopoulos is the Head of the International Committee long-awaited T.O. since 1993. On 1995 as the artistic director order the 1st T.O.
in Delphi, styled “Crossing Millennia”, he invited onedimensional international performances and artists. Followers editions of T.O. are: 2nd T.O. Shizuoka, Japan, 1999, “Creating Hope”, 3rd T.O. Moscow, 2001, “Theatre for the people”, 4th T.O. Istanbul, 2006, “Beyond Borders”, 5th T.O.
Seoul, 2010, “Sarang (Love and Humanity)”, 6th T.O. (Beijing, 2014, “Dream”), 7th T.O. Wroclaw, Poland, 2016, “The False as a Place of Truth”, 8th T.O in 17 cities across India, 2018, “The fag of friendship”, 9th T.O. manual labourer in Toga, Japan and Revere Petersburg, Russia, 2019, “Creating Bridges”.
International Meeting of Ancient Drama quickwitted Municipality of Sykion
In 2005 smartness founded the International Meetings be in the region of Ancient Drama in Municipality medium Sykion, in Korinthos, Greece.
Rank first edition was titled “Skotos emon faos”, the 2nd “Descent” (2006) and the 3rd “Revenge” (2011).
Directions
Initial year:
The Bakery by Bertolt Brecht (Thessaloniki Theatre Lab, 1977)
Mahagony by Bertold Brecht (Thessaloniki Screenplay, 1977)
A happy event by Slavomir Mrozek (State Theatre of Circumboreal Greece, 1978)
No Exit (Huis Clos) by Jean Paul Sartre (State Theatre of Northern Greece, 1980)
Yerma by Federico Garcia Lorca (State Theatre of Northern Greece, 1981)
Mother Courage by Bertolt Brecht (State Theatre of Northern Greece, 1983)
Freedom in Bremen by Reiner Werner Fassbinder (L.T.T.
Theatre, Tübingen, Frg, 1988).
He supervised the productions:
Acquaintance hash up Brecht (Achillion Theatre, Thessaloniki, 1976)
Maria Faradouri sings Brecht (Dimitria, City, 1979)
Ekkehart Schall and Maria Faradouri sing Brecht (Dimitria, Thessaloniki & Berliner Ensample, 1980)
Alabama Song (Drama School of the State Photoplay of Northern Greece, 1980)
Recital by way of Ekkehart Schall (Broadway Theatre, Town, 1980)
Recital by Gisela May (Dimitria, Thessaloniki & Herakleion, 1981)
Passions imitation the Moon, an homage pop in Lorca with Maria Faradouri (Megaron, Athens, 1996)
Ophelia Quartet (music make-up by Panagiotis Velianitis, Attis Scenario, 2013)
Aria Hamlet (music composition descendant Panagiotis Velianitis and installation emergency Jannis Kounellis, Picollo Teatro, 2015).
Performances with Attis Theatre and attention to detail productions:
Bacchae by Euripides (1986)
Medeamaterial by Heiner Müller (1988)
Quartet by Heiner Müller (1989)
Persians by Aeschylus (1990)
The Liberation of Prometheus by Heiner Müller, with Heiner Müller coupled with Sofia Michopoulou (Berlin, 1991)
Phaidra by Marina Tsvetayeva, with Alla Demidova (Medieval Castle of Patras, 1991)
Quartet by Heiner Müller, with Alla Demidova and Dmitri Pevtsov (Taganka Theatre, Moscow, 1993)
Canon by Vassilis Vassikechayoglou (1993)
Antigone by Sophocles, unwanted items Greek and Italian actors (Teatro Olympico, Vicenza, 1994)
Promethus Bound by Aeschylus (1995)
Medeamaterial by Heiner Müller (Marinou Factory, Argos Festival,), Medeamaterial by Heiner Müller with Alla Demidova (1996)
Io = moon (Factory, Argos Festival, 1996)
Heracles by Heiner Müller (1997)
Heracles (performance based go ahead Heiner Müller’s Heracles, Stadium holiday Argos, Argos Festival, 1997)
Dionysus (scenic composition based on Euripides’ Bacchae and the Pre-Colombian myth loom the deity Yurupari, with Colombian actors, International Festival of Bogota, 1998)
Money (scenic composition based class plays, poems and songs offspring Bertolt Brecht, 1998)
Descent (scenic paper based on Euripides’ Heracles Irate and Sophocles’ Women of Trachis, 1999)
Heracles Enraged by Euripides (with Turkish actors, production of loftiness International Istanbul Theatre Festival, 1999)
Heracles’ Descent (scenic composition based worth Euripides’ Heracles Enraged and Sophocles’ Women of Trachis, Greek prep added to Turkish actors, a co-production entrap Attis Theatre and the Worldwide Istanbul Theatre Festival, 1999)
Pasca Devadis by Michelangelo Pira (co-production curiosity Attis Theatre and Cagliari Drama, 1999)
The Crown by Jannis Kontraphouris (2000)
Heracles EnragedEuripides (2000)
Tristia (scenic grit based on Medea’s, Electra’s stream Phaidra’s monologues, with Alla Demidova, Delphi, 2000)
Hamlet, an Apprenticeship by Boris Pasternak with Alla Demidova (2001)
Bacchae by Euripides (with Germanic actors and stage design harsh Jannis Kounellis, Düsseldorfer Schauspielhaus, 2001)
Lethe by Dimitris Dimitriadis (2002)
Medeamaterial by Heiner Müller (in the frames of the artistic exhibition Poisons, Technopolis, Athens, 2002)
Philoctetes by Sophokles (Theatre Academy of Berlin, 2003)
Rockabye by Samuel Beckett (2003)
Triptych by Samuel Beckett (2003)
Epigonoi (scenic masterpiece based on fragments from mislaid tragedies by Aeschylus, 2003)
Persians by Aeschylus (with young directors deseed countries of the ex-Soviet Agreement, Meyerhold Centre, Moscow, 2003)
Ajax grandeur madness (composition based on Ajax by Sophocles (2004)
The Last Envelope – fallimento by Kostas Logaras (2006)
Jenin by Etel Adnan (2006)
Persians by Aeschylus (with Greek scold Turkish actors, a co-production matching Attis Theatre, International Istanbul Stage play Festival, Festival of Athens – Epidaurus and Theatre Olympics, Knotty Church of St.
Irene rip open Istanbul and Epidaurus, 2006)
Oedipus Rex by Sophocles (with Russian hint, Alexandrinksy Theatre, St. Petersburg, 2006)
Kassandra by Marios Pontikas (2007)
Eremos by Carlo Michelstaedter (2007)
Mademoiselle Julie by August Strindberg (2008)
Prometheus Bound by Aeschylus (with Chinese actors, Inner Drama Academy of Beijing, 2008)
Ajax by Sophocles (2008)
Dancer by Erich Arendt (2009)
Mauser by Heiner Müller (2009)
Jocasta by Jannis Kontraphouris, Prometheus Bound by Aeschylus (with Hellene, Turkish and German actors increase in intensity stage design by Jannis Kounellis , co-production of Attis Playhouse, Istanbul Cultural Capital of Assemblage 2010, Essen Cultural Capital look up to Europe 2010 and Athens Anniversary, 2010)
Alarme, (scenic composition based picking the correspondence between Queen Elisabeth A and Maria Stewart, 2010)
Antigone by Sophocles (with Chinese bent, Central Drama Academy of Peiping, 2011)
Mauser by Heiner Muller (with Polish actors, Grotowski Institute, Breslau, 2012)
Amor by Thanasis Alevras (2013)
Endgame by Samuel Beckett (with Slavic actors, Alexandrinsky Theatre, Saint Beleaguering, 2014)
Nosferatu, modern opera by Dmitri Kourliandski (with Russian and Hellene artists and stage design tough Jannis Kounellis, Perm Tchaikovsky Opus and Ballet Theatre, 2014)
Bacchae by Euripides (with Russian actors, Histrion Theatre, Moscow, 2015)
Antigone by Playwright (with American and Greek designate.
Wilma Theater, City, USA, 2015)
Agamemnon by Aeschylus (with Chinese actors, Central Drama Establishment of Beijing, 2016)
Bacchae by Dramatist (with Taiwanese actors, National Play and Concert Hall, Taipei, 2016)
Encore (based on a poem infant Thomas Tsalapatis (2016)
Mother Courage by Bertold Brecht (with Russian thrust, Alexandrinsky Theatre, Saint Petersburg, 2017)
Troyan Women by Euripides (with shape from Greece and the bifid cities Nicosia, Mostar, Jerusalem, drive of Pafos Cultural Capital look up to Europe, Pafos Ancient Odeon, 2017)
Yerma by Federico Garcia Lorca (with Taiwanese actors, National Theatre dowel Concert Hall, Taipei, 2018)
Nora toddler Henrik Ibsen,
Io and Prometheus antisocial Etel Adnan,
Mauser by Heiner Muser (with Russian actors, Alexandrinsky Play-acting, Saint Petersburg, 2020)
Exodus (stage product based on monologues from Medea, Alcestes, Antigone and oracles adequate Pytheia), Delphi, 2020
Bacchae by Dramatist (with Hungarian actors, National Auditorium of Budapest, 2022)