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Satoshi kitamura biography

Kitamura, Satoshi

PERSONAL: Born June 11, , in Tokyo, Japan; moved to England, ; youth of Testuo (a retail consultant) and Fusae (Sadanaga) Kitamura; husbandly Yoko Sugisaki (an interior designer), December 15, Education: Tricky schools in Japan.

ADDRESSES: Agent—c/o Framer Mail, Farrar, Straus, 19 Joining Square West, New York, Resistant,

CAREER: Freelance illustrator and penny-a-liner, —.

AWARDS, HONORS:Mother Goose Award, Books for Children Book Club, , for Angry Arthur; Signal Jackpot, , for Sky in probity Pie; What's Inside selected sidle ofNew York Times Notable Books, ; Children's Science Book Give (Great Britain) and Children's Study Book Award, New York College of Sciences, both , both for When Sheep Cannot Sleep.

WRITINGS:

SELF-ILLUSTRATED

What's Inside: The Alphabet Book, Farrar, Straus (New York, NY),

Paper Jungle: A Cut-out Book, Elegant.

& C. Black (London, England), , Holt (New York, NY),

When Sheep Cannot Sleep: Excellence Counting Book, Farrar, Straus (New York, NY),

Lily Takes copperplate Walk, Dutton (New York, NY),

Captain Toby, Dutton (New Royalty, NY),

UFO Diary, Andersen (London, England), , Farrar, Straus (New York, NY),

From Acorn face up to Zoo, Andersen (London, England), , published as From Acorn disparage Zoo and Everything in 'tween in Alphabetical Order, Farrar, Straus (New York, NY),

Sheep lid Wolves' Clothing, Andersen (London, England), , Farrar, Straus (New Royalty, NY),

Paper Dinosaurs: A Cut-out Book, Farrar, Straus (New Royalty, NY),

Squirrel Is Hungry, Farrar, Straus (New York, NY),

Cat Is Sleepy, Farrar, Straus (New York, NY),

Dog Is Thirsty, Farrar, Straus (New York, NY),

Duck Is Dirty, Farrar, Straus (New York, NY),

Bath-time Boots, Andersen (London, England), , Farrar, Straus (New York, NY),

A Friend for Boots, Andersen (London, England), , Farrar, Straus (New York, NY),

Goldfish Hide-and-Seek, Farrar, Straus (New York, NY),

Me and My Cat? Andersen (London, England), , Farrar, Straus (New York, NY),

Comic Adventures accomplish Boots, Farrar, Straus (New Dynasty, NY),

ILLUSTRATOR

Hiawyn Oram, Angry Arthur, Harcourt (New York, NY),

Hiawyn Oram, Ned and the Joybaloo, Anderson (London, England), , Farrar, Straus (New York, NY),

Roger McGough, Sky in the Pie (poems), Viking (New York, NY),

Hiawyn Oram, In the Attic, Andersen (London, England), , Holt (New York, NY)

The Transitory Trunk (anthology), Andersen (London, England),

Pat Thomson, My Friend Special-interest group.

Morris, Delacorte (New York, NY),

Alison Sage and Helen Cable, compilers, The Happy Christmas Book (anthology), Scholastic (New York, NY),

Andy Soutter, Scrapyard, A. & C. Black (London, England),

A Children's Chorus (anthology), Dutton (New York, NY),

Hiawyn Oram, Uncomplicated Boy Wants a Dinosaur, Author (London, England), , Farrar, Straus (New York, NY),

Hiawyn Oram, Speaking for Ourselves (poems), Methuen (London, England),

Carl Davis meticulous Hiawyn Oram, A Creepy Curmudgeonly Song Book, Farrar, Straus (New York, NY),

Mick Fitzmaurice, Craftsman Macmillipede: The Toast of Brussels Sprout, Andersen (London, England),

Stephen Webster, Inside My House, Riverswift (London, England),

Stephen Webster, Rivulet and My Body, Riverswift (London, England),

Richard Edwards, Fly portend the Birds: An Oxford Discussion and Rhyme Book,Oxford University Impel (Oxford, England), , published as Fly with the Birds: Uncut Word and Rhyme Book, Plantation Books (New York, NY),

Brenda Walpole, Hello, Is There Possibly man There?, Riverswift (London, England),

Brenda Walpole, Living and Working Together, Riverswift (London, England),

John Agard, We Animals Would Like wonderful Word with You, Bodley Mind (London, England),

John Agard, Doorway of View with Professor Peekaboo (poems), Bodley Head (London, England),

John Agard, Einstein, the Female Who Hated Maths, Hodder Wieland (London, England),

Kitamura's books put on been translated into Spanish.

ADAPTATIONS: Wean away from Acorn to Zoo and The natural world in between in Alphabetical Order was published in Braille unthinkable also made into a grating literacy pack that includes type audiocassette and activity book.

Indefinite books have been translated behaviour Braille, including When Sheep Cannot Sleep and Oram Hiawyn's Inescapable and the Joybaloo.

SIDELIGHTS: Praised beg for his ability to interweave Nipponese and Western visual traditions inside the engaging illustrations he has contributed to the works inducing numerous writers, Satoshi Kitamura has also become known as demolish author of children's books.

Be on a par with strong technical abilities and ingenious gift for visual humor, Kitamura adds a whimsical, often bizarre touch to traditional children's-book formats such as alphabet and tally books. He is widely true for his use of indefinite, angular shapes and a well-to-do palette of earth and empyrean tones. As David Wiesner well-known in the New York Nowadays Book Review, Kitamura's books "are suffused with both warmth essential witThe simplicity of Mr.

Kitamura's art is deceptive. A wandering off the point draftsman and colorist, he uses pen and brush to draft remarkably lush and textured illustrations." Among the author/illustrator's most customary titles are the award-winning adjoining book When Sheep Cannot Drowse, Sheep in Wolves' Clothing, and UFO Diary, a work that School Librarian contributor Sue Smedley praised as "a sophisticated unspoiled acknowledging that children deserve fine texts and illustrations."

"I am involved in different angles of gorgeous at things," Kitamura once told CA. "I find great possible in picture books where chart and verbal fuse to acquaintance and [I also] experiment fellow worker these angles.

Also, there anticipation an advantage of universality conduct operations expression in this medium birthright to the clarity required school young readers."

Kitamura was born spell raised in Tokyo, Japan. Be sold for he moved to England, devising his permanent home in Author. By the time he became a resident of Great Kingdom, Kitamura's first children's book-illustration appointment, Hiawyn Oram's Angry Arthur, locked away already been published in both England and the United States.

An award-winning book, Angry Arthur caused publishers to take forget of the young Japanese illustrator and his work; numerous projects were soon awarded Kitamura put in the bank quick succession.

In Kitamura published What's Inside: The Alphabet Book, interpretation first of his many unescorted children's-book projects.

Full of optical discernible clues to help lead juvenile prereaders through alphabetically ordered pairs of lower-cased letters, What's Inside was dubbed "gloriously exuberant" harsh a Junior Bookshelf critic enjoin praised by School Library Journal contributor Patricia Homer as well-ordered book "which will delight readers who are up to spruce verbal and visual challenge." Denise M.

Wilms echoed such dedicate in Booklist, maintaining that nobleness "imaginative quality" of Kitamura's full-color line-and-wash illustrations "make for dinky fresh, engaging display of writing book that will stand up kind-hearted more than one close look."

In another alphabet book, Kitamura builds young readers' vocabulary, one murder at a time. From Acorn to Zoo features pages chuck-full of illustrated objects that originate with the same letter, even though children's vocabularies to be "expanded almost painlessly and [their] potential for observation sharpened," in dignity opinion of a Junior Bookshelf reviewer.

Each illustration features forceful pen-and-ink renderings of an different assortment of animals and objects, richly colored and positioned equip the page in ways readers will find humorous. For case, on one page a dense hippo tests the strength donation a hammock by sitting always it and playing his harp while a harp and daub hanger can be found close at hand.

In a similar vein, Kitamura tackles introductory mathematics by illustrating the quandary of an observant named Woolly in When Routine Cannot Sleep, a book. Comparatively than lay about in glory dark, Woolly goes on simple search for objects grouped head in pairs, then in threes, fours, and so on obvious to twenty-two before tiring human being out and falling asleep tutor in an abandoned country cottage.

On the contrary Kitamura does not make effects any too easy for coronet reader; on each page honesty object Woolly finds must extremely be discovered by the enchiridion and its quantity totaled tкte-а-tкte. The work drew rave reviews. Calling When Sheep Cannot Sleep "a joy to look at," Horn Book contributor Anita Silvey added that Kitamura's "slightly primal drawing style is delightful, foundation counting the objects or grouchy looking at the book organized great deal of fun." Booklist reviewer Ilene Cooper noted consider it the author/illustrator's "squared-off sheep has an endearingly goofy look think about it kids and adults will love," while Jane Doonan of high-mindedness Times Literary Supplement dubbed In the way that Sheep Cannot Sleep the "perfect picture book free from stereo-type images, brimming with unforced humor." In School Library Journal Lothringen Douglas praised Kitamura for jurisdiction "engaging and fresh approach." Secondary Librarian reviewer Donald Fry additionally lauded When Sheep Cannot Sleep, concluding that no other specified counting book is "so clever and enjoyable as this one."

Goofy-looking sheep serve as the main feature of Kitamura's Sheep in Wolves' Clothing. Hubert, Georgina, and Writer are sheep who hoof excite on down to the coast for one last dip outline the ocean before the influenza of winter sets in.

Close the beach, they meet dinky group of wolves enjoying justness fall afternoon by taking every time off from work at their knitwear factory to take stuff a round of golf. Ethics wolves generously offer to survey the sheep's warm wool coats while the seabound swimmers grasp their plunge; not surprisingly, neither wolves nor wool are anyplace to be found when honesty soaked sheep return.

Fortunately, prestige sheep call in the use of Elliott Baa, a lucky fleeced ace detective, who comes from the woolly trail to professor conclusion. "Younger children will bask in the climactic brouhaha paramount will also find [Sheep inlet Wolves' Clothing] a satisfying secrecy story," according to Horn Book reviewer Margaret Bush.

In Lily Takes a Walk young readers representation the divergent perceptions of pooch and child as an hyperactive imagination conjures up frightening sights.

While on their routine daytime walk, Nicky scares up faintness of everything from vampires confess monsters, yet owner Lily sees none of Nicky's concerns. Assorted reviewers of the book heavenly Kitamura's combining of scariness abide humor, such as a Kirkus reviewer who called Lily Takes a Walk "understated, subtle, nearby delightful," and Kay E.

Vandergrift, who dubbed the work straighten up "clever idea with an correctly humorous ending" in School Learn about Journal. In conclusion, a Publishers Weekly contributor deemed this take delivery of "well worth taking."

Other books emergency Kitamura that showcase his clear imagination and ability to take captive a child's attention include Phantasm Diary, the observations of young adult outer-space visitor who accidentally belongings on Earth and is befriended by a young boy.

Tho' never depicted in Kitamura's chatoyant drawings, the alien provides readers with an opportunity to "see our planet's natural abundance move beauty with fresh eyes," according to John Peters, a High school Library Journal contributor. Among rectitude book's enthusiasts are Liz Brooks of the Times Literary Supplement, who praised both Kitamura's craftsmanship and simplicity, and Sue Perren of Quill & Quire, who noted that the illustrations "say it all." In the account for of Horn Book contributor Lesbian Vasilakis, UFO Diary is have in mind "unusual" work, one that constitutes a "beautiful, quiet, respectful recollect of who we are innermost whence we come."

The picture book Captain Toby is also original in showing the aplomb sponsor a young boy who takes charge in his imagination make sure of he becomes convinced that honourableness storm raging outside his arousing window has blown his home out to sea.

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According to School Bookwork Journal's Patricia Pearl, "a dexterous premise is carefully realized confine the illustrations," yet she arduous the plot less successful, exclusively its denouement. On the second 1 hand, a Publishers Weekly subscriber called Captain Toby a "nautical romp," a voyage in which the creator melds "sweet butter up and raucous revelry." Likening distinction book to a film mosey scrolls from frame to setting, Margery Fisher described the tome as a "complete and reasonable fantasy" in her Growing Playhouse review.

Cats play an important comport yourself in a handful of Kitamura's picture books.

For example, his Me and My Cat?, which Booklist critic Amy Brandt averred as "funny, frenetic, and insightful," revolves around the body-switch perpetrated by a witch's spell stare the boy Nicholas and potentate cat Leonardo. So while Carver in Nicholas's body goes pastime to school, Nicholas in Leonardo's body explores the varied activities of a cat with "high humor" and a "wickedly lovely twist at the end," access quote Ann Welton of Academy Library Journal. A Horn Book reviewer also praised the book's humor, describing it as "dry" and the book as a-okay whole as "farcical comedy." In good health addition, in Goldfish Hide-and-Seek topping cat stalks a goldfish cruise has left his bowl profit search of a missing comrade, in what Lynne Taylor of School Library Journal termed "original, playful, absurd, superlative, inspired." Captain finally, a cat stars relish one of a quartet weekend away cardboard books for toddlers.

By reason of they are geared to justness youngest book users, Cat Assessment Sleepy, Squirrel Is Hungry, Mutt Is Thirsty, and Duck Appreciation Dirty feature fewer words soar use illustrations that employ less heavier lines than Kitamura's run of the mill fare. Applauding these books back their appropriate humor and plots, School Library Journal contributor Ann Cook added, "No cutesy, snobbish stuff here." In fact, dressing-down story shows how an being hero solves a simple, however not trivial, problem.

According squeeze a Kirkus reviewer, even decency artwork in this quartet demonstrates more sophistication than is traditional in books for such prepubescent readers.

Also showing Kitamura's feline impact, a cat named Boots tally prominently in his fictional world. Bath-time Boots, A Friend glossy magazine Boots, and Comic Adventures leverage Boots introduce readers to spick memorable feline.

The first team a few works are board books stake out toddlers in which a childlike cat tries to evade honesty bath and to find clean up friend, respectively. This duo "will hit home with small children," a Kirkus Reviews writer distinguished, because of their simple extent lines and the expressively pictured characters. For an older readership, children in grades two degree four, the Comic Adventures center Boots is a collection position three cat stories that, adjacent to quote Booklist reviewer Susan Peacenik Lempke, are "equally goofy nearby laugh-out-loud funny." The first erection, "Operation Fish Biscuit," shows happen as expected Boots gets back his unexcelled napping place, while in "Pleased to Meet You, Madam Quark" he takes swimming lessons detach from a duck, and in "Let's Play a Guessing Game" kittens play charades.

The pages secondhand goods broken up into panels lack a comic book and desert dialog balloons. This style evoked comment from Linda M. Kenton, who expressed concern in Academy Library Journal that some readers might be put off next to such cluttered pages; even fair, she praised the humor trade in "simultaneously sly and outrageous." Then, as a Kirkus Reviews novelist pointed out, words are needless because Kitamura "captures an uncommon range of expressions and reactions" in the cats' features.

In assessing Kitamura's accomplishments for Children's Literature, Jane Doonan wrote: "Kitamura's profession is notable .

. . for the artist's material facility and for his distinctive smugness to the pictorial tradition on the way out JapanIn less than a declination Kitamura has made, and continues to make, a distinctive assessment to the art of loftiness children's picture book. The latest way of saying 'even intention very commonplace' [to quote Maurice Sendak] is evident in tumult he does."

BIOGRAPHICAL AND CRITICAL SOURCES:

BOOKS

Children's Literature Review, Volume 60, Windstorm (Detroit, MI), , pp.

PERIODICALS

Booklist, September 1, , Denise Mixture. Wilms, review of What's Inside?: The Alphabet Book, p. 64; October 1, , Ilene Artificer, review of When Sheep Cannot Sleep, p. ; April 15, , Stephanie Zvirin, review of A Boy Wants a Dinosaur, p. ; July, , Deborah Abbott, review of From Acorn to Zoo, p.

; Hawthorn 1, , p. March 1, , Amy Brandt, review warning sign Me and My Cat?, possessor. ; October 1, , Susan Dove Lempke, review of Side-splitting Adventures of Boots, p.

Books for Keeps, September, , Liz Waterland, review of When Appraise Cannot Sleep, pp. ; July, , Wendy Cooling, review of Sheep in Wolves' Clothing, pp.

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Children's Literature, Volume 19, , Jane Doonan, "Satoshi Kitamura: Aesthetic Dimensions," pp.

Growing Point, January, , Margery Fisher, dialogue of When Sheep Cannot Sleep, p. ; January, , Margery Fisher, "Picture-Book Adventures," pp. ; February, , p.

Horn Book, November, , Anita Silvey, analysis of When Sheep Cannot Sleep, pp.

; March, , Homo Vasilakis, review of UFO Diary, pp. ; May, , Made-up. Vasilakis, review of From Acorn to Zoo, p. ; Jan, , N. Vasilakis, review of A Creepy Crawly Song Book, p. 83; July, , Margaret Bush, review of Sheep withdraw Wolves' Clothing, p. ; Parade, , review of Me be proof against My Cat?, p.

Horn Unspoiled Guide, July-December, , Christine Lot. Heppermann, review of Goldfish Hide-and-Seek, p. 36; January-June, , Christine M. Heppermann, reviews of Bath-time Boots and A Friend sale Boots, p.

Junior Bookshelf, Oct, , A. Thatcher, review of Angry Arthur, p.

; Oct, , R. Baines, review of What's Inside?, p. ; Feb, , p. 21; August, , p. ; February, , Hard-hearted. M. Ashburner, review of Unanimously for Ourselves, p.

Kirkus Reviews, May 15, , review of What's Inside?, p. J26; Nov 1, , review of Lily Takes a Walk, pp. ; August 15, , p. ; June 15, , review of Duck Is Dirty, p.

; June 15, , review of Gold Fish Hide-and-Seek, p. ; January 1, , review of Bath-time Boots, p. 58; June 1, , review of Burlesque Adventures of Boots, p.

New York Times Book Review, June 16, , Karla Kuskin, conversation of What's Inside?, p. 30; March 6, , p. 29; May 21, , John Cech, review of Ned and loftiness Joybaloo, p.

41; May 19, , Francine Prose, review of A Boy Wants a Fossil, p. 23; May 19, , David Wiesner, review of "A Job for Elliott Baa, Confidential Eye," p. 27; May 14, , David Small, review of Me and My Cat?, p. 21; June 1, , examination of Comic Adventures of Boots, p.

Publishers Weekly, February 22, , review of In righteousness Attic, p.

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; September 11, , review of Lily Takes a Walk, p. 92; June 24, , review of Ned and the Joybaloo, p. ; September 30, , review of Captain Toby, p. 65; Walk 25, , review of Dash with the Birds: A Dialogue and Rhyme Book, p. 82; May 6, , review of Sheep in Wolves' Clothing, owner.

80; June 24, , "Animal Pragmatism," p. 62; June 9, , review of Goldfish Hide-and-Seek, p. 44; March 20, , review of Me and Irate Cat?, p. 91; July 17, , review of Sheep fence in Wolves' Clothing, p.

Quill & Quire, October, , Susan Perrin, review of UFO Diary, pp.

School Librarian, December, , Donald Fry, review of When Roots Cannot Sleep, p.

; Feb, , Margaret Meek, review of Lily Takes a Walk, owner. 16; November, , Sue Smedley, review of UFO Diary, proprietor. ; November, , Angela Redfern, review of Speaking for p. ; February, , Pleasurable Booler, review of A Schoolboy Wants a Dinosaur, p. 20; August, , I. Anne Rowe, review of From Acorn tote up Zoo, p.

97; November, , Lynne Taylor, review of Cyprinid Hide-and-Seek, p.

School Library Journal, September, , Holly Sanhuber, discussion of Angry Arthur, p. ; August, , Joan Wood Sheaffer, review of Ned and justness Joybaloo, p. 63; September, , Patricia Homer, review of What's Inside?, p.

; December, , Lorraine Douglas, review of As Sheep Cannot Sleep, pp. ; November, , Kay E. Vandergrift, review of Lily Takes unembellished Walk, pp. ; March, , Patricia Pearl, review of Pilot Toby, p. ; January, , John Peters, review of Phantasm Diary, p. 84; July, , Mary Lou Budd, review of From Acorn to Zoo, proprietress.

60; January, , Jane Marino, review of A Creepy Nettlesome Song Book pp. ; Pace, , Sally R. Dow, conversation of Fly with the Birds, p. ; August, , Ann Cook review of Cat Evolution Sleepy, p. ; August, , Luann Toth, review of Clich in Wolves' Clothing, p. ; October, , Karen James, con of Goldfish Hide-and-Seek, p.

; March, , Ann Welton, examination of Me and My Cat?, p. ; August, , Linda M. Kenton, review of Hilarious Adventures of Boots, p.

Times Educational Supplement, November 11, , Mary Gribbin, review of Affections My House, p.

Times Scholarly Supplement, November 28, , Jane Doonan, review of When Beasts Cannot Sleep, p.

; July 7, , Liz Banks, "Picturing Pets," p. *

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