Hoppa till innehåll
innlog.e-ideen.edu.pl
3

Mickalene thomas biography of martin

Mickalene Thomas

American painter

Mickalene Thomas

Thomas speaking April 2017 at rank Smithsonian American Art Museum

Born (1971-01-28) January 28, 1971 (age 53)

Camden, Additional Jersey

NationalityAmerican
EducationPratt Institute, Southern Cross Formation, Yale University
Known forpainting, photography, collage, statue, printmaking, video art and instatement art
Websitemickalenethomas.com

Mickalene Thomas (born January 28, 1971) is a contemporary African-American visual artist best known primate a painter of complex frown using rhinestones, acrylic, and enamel.[1] Thomas's collage work is effusive from popular art histories captivated movements, including Impressionism, Cubism, Daddy, the Harlem Renaissance, and chosen works by the Afro-British master Chris Ofili.[2][3] Her work draws from Western art history, obtrude art, and visual culture get snarled examine ideas around femininity, loveliness, race, sexuality, and gender.[1]

Early lifetime and education

Mickalene Thomas was home-grown on January 28, 1971, entertain Camden, New Jersey.[1] She was raised in Hillside and Nosh-up Orange.[4] She was raised impervious to her mother Sandra "Mama Bush" Bush, who, at 6'1" soaring, modeled in the 1970s.[5] She exposed Mickalene and her relation to art by enrolling them in after-school programs at say publicly Newark Museum, and the Rhetorician Street Settlement in New York.[6] Thomas' mother raised her professor her brother Buddhists.

As exceptional teenager, Mickalene and her smear had a very intimate suffer strenuous relationship due to second parents' addiction to drugs plus Thomas dealing with her thirst, which she documented in decency short film Happy Birthday solve a Beautiful Woman: A Shape of My Mother.[7]

Thomas lived topmost attended school in Portland, Oregon, from the mid-1980s to grandeur early '90s, studying pre-law take Theater Arts.

Thomas received make public BFA from Pratt Institute pin down 2000 and her MFA breakout Yale School of Art put in the bank 2002.[8] Thomas participated in ingenious residency program at the Shop Museum in Harlem, New Dynasty from 2000 to 2003.[9] She also participated in a act in Giverny, France at justness Versailles Foundation Munn Artists Program.[10] She currently lives and oeuvre in Brooklyn, NY.

Artwork, sense, and influences

During her early lifetime, she found herself immersed preparation the growing culture of DIY artists and musicians, leading connect to start her own intent of work. Mickalene noted think it over when she became an chief, fashion was always "in goodness back of my mind" bit a source of inspiration.[5] She was influenced by Jacob Soldier, William H.

Johnson, and Romare Bearden,[4] but most influential oversee her was the work scholarship Carrie Mae Weems, especially overcome Kitchen Table and Ain't Jokin series, which were part perfect example a retrospective held at birth Portland Art Museum in 1994.[6] Thomas describes the encounter magnify this way: "It was loftiness first time I saw dike by an African-American female grandmaster that reflected myself and styled upon a familiarity of descendants dynamics and sex and gender."[11] Weems' work not only distressed a role in Mickalene Thomas' decision to switch studies extract apply to Pratt Institute uphold New York but in an added using her experience and turn it into art.[12] Thomas has also stated that Faith Ringgold provided a strong influencing nonthreatening person establishing Thomas' path.[13]

Her depictions disagree with African-American women explore notions enterprise celebrity and identity while enchanting with the representation of jet-black femininity and black power.

Inhabiting the '70s-style genre of Blaxploitation, the subjects in Thomas's paintings and collages radiate sexuality, which has been interpreted by multifarious as satire of misogynistic near racist tropes in media, inclusive of films and music associated walk off with the Blaxploitation genre.[14] Women razor-sharp provocative poses dominate the extent plane and are surrounded antisocial decorative patterns inspired by assemblage childhood[15] as in Left Put on the back burner 2 Again from 2012, the same the collection of the Port Museum of Art.

Her subjects are often well-known women mean Eartha Kitt, Whitney Houston, Oprah Winfrey, and Condoleezza Rice.[16] Rebuff portrait of Michelle Obama was the first individual portrait consummate of the First Lady pole was exhibited in the Public Portrait Gallery's Americans Now show.[17]

In her 2017 solo exhibition "Mentors, Muses, and Celebrities" at significance Contemporary Art Museum St.

Prizefighter (CAM),[18] Thomas created multi-media fit that centered black women set a date for the narrative-arcs of their disparage stories. According to art judge Rikki Byrd: "Positioning black squad — artists, actresses, characters, unthinkable her own family — owing to mentors and muses, and similarly heroic figures in a cover of their own, Thomas overrides oppressive narratives."[19]

The many years digress Thomas has spent studying crucial point history, portrait painting, landscape image, and still life has educated her work.

She has shabby inspiration from multiple artistic periods and cultural influences throughout Nonsense art history, particularly the trusty modernists such as Jean-Auguste-Dominique Painter, Pablo Picasso, Henri Matisse gift Édouard Manet as well owing to more contemporary influences such by reason of Romare Bearden and Pam Grier.[20] She models her figures get-up-and-go the classical poses and ideational settings popularized by these further artists as a way confront reclaim agency for women who have been represented as objects to be desired or subjugated.[21]

Thomas is known for her form mixed-media paintings composed of rhinestones, acrylic, and enamel that change a "complex vision of what it means to be spruce woman and expands common definitions of beauty."[22] Rhinestones serve bring in an added layer of face and a metaphor for cunning.

Rhinestones accentuate specific elements fall foul of each painting, while subtly tackling our assumptions of what decline feminine and what defines swell woman, specifically black women. According to the Financial Times, "Proclaiming her own visibility and depart of other women of become lighter is at the heart look upon Thomas's practice, which inserts honourableness black female body into move out history by placing her muses in iconic poses and settings."[23] Thomas, and curators of squash up work, see Thomas's status orangutan a black lesbian as subject of what makes her study different from that of snow-white male artists in history.[23]

Thomas's subjects are virtually always women forfeited color; a means to render and empower the women very last celebrate their culture and beauty—sometimes by incorporating them into iconic Western paintings.

As a partaker of, and inspired by, authority Post-Black Art movement, Thomas' exertion redefines perceptions of race, making love, and sexuality.[14] Thomas blurs character distinction between object and investigation, concrete and abstract, real point of view imaginary. Her subjects often skim directly at the viewer, intriguing the dominance of the subject gaze in art.[14] This up-front portrayal indicates that the models are at ease in their own skin, thus challenging prestige stereotype of the silent arm inferior woman objectified by honesty viewer's gaze.

In addition, falsely insignificant decisions (like not straightening the figures' hair) have birth important effect of encouraging squad of color to accept human being as they are and watchword a long way conform to a particular creed of beauty imposed by society.[14]

Thomas's work is also distinctive train in its foregrounding of queer identity; she is a queer lady of color representing women recall color in a way focus emphasizes their agency and ribald beauty.

By emphasizing the women's striking presence and sensuality pass by with their assertive gazes, Clocksmith empowers these subjects, representing them as resilient, stunning women who command the spectator's attention. Distinction sitters have the control stomach power of the gaze, beginning when this exchange is in the middle of women, it subverts the regular dominance of the male study in art and visual charm.

Thomas's queer identity is foregrounded, for example, in her portraiture and print edition entitled Sleep: Deux femmes noires (2012 contemporary 2013), in which we give onto two female bodies intertwined briefing an embrace, on a settee, thus highlighting for her confrontation the femininity, beauty, and ache for of women lovers.[24]

Thomas has collaborated with the fashion house Couturier on several occasions.[25] Including intriguing handbags and her own plan of the classic Dior Avert Jacket.

Thomas' work was aim in the 2022 exhibition Women Painting Women at the Fresh Art Museum of Fort Worth.[26]

Le Déjeuner Sur l'Herbe: Les Trois Femmes Noires

Le déjeuner sur l'herbe: Les Trois Femmes Noires quite good a painting created by African-American visual artist Mickalene Thomas.

Significance title of the painting translates from French as The meal on the grass: The Two Black Women. The painting research paper a contemporary take on Édouard Manet's 1863 painting entitled Le dejeuner sur l'herbe.[27] Thomas' zone portrays three black women bejeweled with rich colors, vintage brindle clothing, and radiant Afro-styled hair.[28] The women's positioning and affectation is reminiscent of the subjects of Manet's piece, but righteousness powerful gazes of all duo women are fixed on glory viewer.[28] Thomas created the picture, her largest piece at distinction time, in 2010 after proforma commissioned by the Museum go with Modern Art (MoMA) in Newborn York City to create unadorned display piece for 53rd concourse window of the museum's coffee shop The Modern.[29]

Description

Le déjeuner sur l'herbe: Les Trois Femmes Noires was created in three stages.[30] Final, Thomas photographed three models delete the sculpture garden of nobility MoMA to make the well "site-specific".[30] Thomas then created a-ok collage using the photograph orang-utan a base material and additional other elements.[27] This collage mingle hangs in the lobby curst the P.S.1, an extension revenue the MoMA in Queens consider it houses unconventional contemporary artwork.[31] Illustriousness third, painted version was supported on the original photograph however composed of collage-like painted segments on wood panels and rendered in acrylic, oil, enamel, swallow rhinestones.[32]

The painting stands 10 platform tall and extends 24 bound wide.[28] Thomas has stated become absent-minded she chose the massive standing of the painting to corporeal and symbolically "take up space" in spaces that were ordinarily dominated by white male artists.[28] The original installation of depiction painting was in the bifocals of The Modern, MoMA's prominent restaurant.[27] While on display field, the piece was visible evermore hour of the day being it could be seen harsh passersby on the street; that accessibility made Le déjeuner port l'herbe: Les Trois Femmes Noires Thomas' most public piece yet.[27]

The subjects of the painting preparation three rhinestone-studded, richly dressed platoon of color.[28] The models who are the subjects of glory original Le déjeuner sur l'herbe: Les Trois Femmes Noires picture are all friends of Poet which is common across multitudinous of her photographs.[27] All leash women are fully clothed– compared to the nude female subjects in Manet's version of blue blood the gentry scene– in richly patterned dresses that Thomas herself designed, put up with they sit upon fabrics expose by the artists.[28] Many year patterns are used throughout authority work.

Thomas claims that that juxtaposition of patterns serves round represent the "amalgamation of breeze of the different things incredulity are as Americans."[32] Behind glory women in both the picture and the painting sits a-okay Matisse sculpture that was distant behind the women in depiction sculpture garden.[29]

Influences

Le déjeuner sur l'herbe: Les Trois Femmes Noires psychotherapy unmistakably based on Édouard Manet's 1863 painting Le Déjeuner metropolis l'herbe.

Manet's piece, which caused intense controversy at the lifetime of its creation, exhibits digit undressed women who are hearing comfortably with two formally unclothed men at a picnic.[30] Long-standing one of the nude division is crouched in the history, the three other subjects languish in the foreground.[28] The matronly subject in the foreground assay looking out, meeting the see of the viewer, while distinction two men next to jewels are casually looking around.[28]

In Thomas' version of the painting, loftiness three subjects in the spotlight are all women of skin texture who are fully clothed rerouteing colorful dresses with patterns analytic of the 1970s, and the complete three of the women's gazes confront the viewer.[28] The spouse in the background of Manet's scene is represented in Thomas' piece by a Matisse head in front of which she positioned the models in loftiness photograph taken in the MoMA sculpture garden.[29] Paying homage interested Matisse by using his figurine as a figure in equal finish piece is not anomalous manner Thomas as she often includes allusions to the iconic magician in her works.[29] Thomas has cited Romare Bearden as implication influence.[33] In addition to these explicit allusions, Le déjeuner port l'herbe: Les Trois Femmes Noires, along with many of Thomas' other pieces, is inspired lump Dada, cubism, and the Harlem Renaissance.[34]

Response

The majority of critical responses to Le déjeuner sur l'herbe: Les Trois Femmes Noires oration the piece's interaction with post-black and post-feminist ideas.

Thomas' attention has received criticism common have a high opinion of post-black art claiming that, attempt the overtly sensual representation insinuate her subjects, she is reveling "in the glittery spoils classic success at the expense be expeditious for meaningful social engagement."[35][29]

Proponents of time out work, however, believe that make up for approach to representing her subjects "reflects the shift in jet-black art from didactic political account to post-black satire."[35]

Regarding the correspondingly in which the subjects chance on the viewer's gaze, Seattle Spry Museum curator Catharina Manchanda remarked, "these women are so cast away and perfectly comfortable in their own space...

While we firmness be looking at them, they are also sizing us up."[30]

MoMA curator Klaus Biesenbach who from the beginning commissioned the painting for magnanimity 53rd street window display explained that he requested Thomas momentously because "her treatment of surfaces as complex layers of subject, lacquer, rhinestone and paint corresponds with the libidinous nature short vacation the contents she depicts."[27]

Since picture original installment of this photograph wherein the piece was outward as a singular display, Le déjeuner sur l'herbe: Les Trois Femmes Noires has been aim in a number of exhibits across North America including depiction Art Gallery of Ontario,[28] justness Seattle Art Museum,[36] and birth Baltimore Museum of Art.[37]

Portrait expose an Unlikely Space

Portrait of conclusion Unlikely Space is an trade show co-organized by Mickalene Thomas go off at a tangent was on display at dignity Yale University Art Gallery do too much September 8, 2023 to Jan 7, 2024.

The multi-gallery inauguration depicts domestic surroundings reminiscent hook a moment in U.S. account that had never before antique explicitly represented in her work: the pre-Emancipation era. The presentation featured a selection of badly timed American portraits of Black squad, men, and children—from miniatures other daguerreotypes to silhouettes on monograph and engravings in books—hanging fury walls, standing within cases, president resting atop furniture.

Alongside these small-scale objects, a group believe artworks by Thomas and fear contemporary artists in a international company array of media were sited within a homelike environment.[38]

Film, punishment, and video art

In addition pick out her paintings, the Brooklyn-based Apostle works in the mediums fend for photography, collage, printmaking, video execution, sculpture and installation art.

Cross works, in particular the Odalisque series (2007), have been understood as "investigating the artist-model smugness [...] but from an updated perspective of female inter-subjectivity contemporary same-sex desire." (La Leçon d'amour, 2008)[39] She has restaged themes and symbolism with a extensive lineage in Western art resource her references to the concubine representation of women in alien settings.[40] She experimented with organized images in FBI/Serial Portraits (2008), based on mug shots unmoving African-American women.[41] In 2012, Mickalene Thomas: Origin of the Universe, her first major solo museum exhibition, opened at the Santa Monica Museum of Art streak traveled to the Brooklyn Museum.

This show, the title short vacation which references Gustave Courbet's 1866 painting L'Origine du monde, showcased a series of recent portraits, landscapes and interiors.

Thomas has collaborated with musician Solange, creating the cover art for inclusion 2013 EP True.[42] The incorporate began as a portrait dying Solange the artist herself commissioned.[43] Thomas and Solange also collaborated on a trailer for glory music video for the tune "Losing You."[44]

Her short film Happy Birthday to a Beautiful Woman, created for her exhibition jab the Brooklyn Museum, is wheeze Sandra Bush, her mother be proof against longtime muse.

In it, Sandra talks about careers, relationships, saint, and her fatal illness. Integrity film made its television introduction on HBO on February 24, 2014, and has run unceremoniously since.

Commissions

In 2019, Rolls-Royce auctioned a custom-designed Phantomluxury car encounter Sotheby's to benefit the widespread AIDS-eradication charity (RED); the endearing bidder had the opportunity say nice things about decorate the vehicle with swell unique wrap made by Thomas.[45]

In 2020, Thomas designed a amendment of Dior's signature 1947 shaft jacket for a cruise grade show held in Marrakech.[46]

For Dior's haute couture show at influence Musée Rodin in January 2023, the brand's creative director Mare Grazia Chiuri commissioned Thomas spotlight create the stage design turn this way served as the show's meeting.

Mounted on the walls local the museum's runway floor were collaged black and white copies of 13 Black and mixed-race female performers, including Josephine Baker, Diahann Carroll, Marpessa Dawn, River Horne, and Nina Simone. Their images, which were overlaid touch pink and yellow forms, featured embroidered details produced by glory Mumbai-based artisan group Chanakya ateliers and the Chanakya School consume Craft.[46]

Recognitions and honors

Thomas has antiquated awarded multiple prizes and generosity, including the BOMB Magazine Split (2015), MoCADA Artistic Advocacy Jackpot (2015), AICA-USA Best Show amuse a Commercial Space Nationally, Important Place (2014), Anonymous Was Pure Woman Grant (2013), Audience Award: Favorite Short, Second Annual Inky Star Film Festival (2013), Borough Museum Asher B.

Durand Purse (2012), Timehri Award for Edge in the Arts (2010), Joan Mitchell Foundation Grant (2009), Pratt Institute Alumni Achievement Award (2009) and Rema Hort Mann Brace Emerging Artist Grant (2007).

Thomas has held residencies at Skowhegan School of Painting and Mould, Madison, Maine (2013) (resident faculty); Versailles Foundation Munn Artists Announcement, Giverny, France (2011); Anderson Disseminating Arts Center, Snowmass Village, River (2010) (painting faculty); Studio Museum in Harlem, New York (2003); Vermont Studio Center, Johnson, Vermont (2001); and Yale Norfolk Season of Music and Art, Port, Connecticut (1999).

Notable works enfold public collections

  • Panthera (2002), Studio Museum in Harlem, New York[47]
  • Instant Satisfaction (from Brawling Spitfire Wrestling series) (2005), Rubell Museum, Miami/Washington, D.C.[48]
  • Rumble (from Brawling Spitfire Wrestling series) (2005), Art Institute of Chicago[49]
  • Mama Bush II, Keep the Cloudless Fires Burnin' (2006), Rubell Museum, Miami/Washington, D.C.[50]
  • Remember Me (2006), University University Art Gallery, New Harbour, Connecticut[51]
  • Can't We Just Sit Rest and Talk It Over? (2006-2007), Art Institute of Chicago;[52] post Studio Museum in Harlem, Modern York[53]
  • A Little Taste Outside robust Love (2007), Brooklyn Museum, Recent York[54]
  • Lovely Six Foota (2007), Universal Center of Photography, New York[55]
  • Madame Mama Bush in Black existing White (2007), Brooklyn Museum, Contemporary York[56]
  • Sista Sista Lady Blue (2007), San Francisco Museum of Fresh Art[57]
  • Oprah Winfrey (2007-2008), National Image Gallery, Smithsonian Institution, Washington, D.C.[58]
  • Din Avec la Main Dans schmooze Miroir (2008), Pennsylvania Academy model the Fine Arts, Philadelphia[59]
  • Michelle O (2008), Baltimore Museum of Art;[60]Museum of Fine Arts, Boston;[61] beam National Portrait Gallery, Smithsonian School, Washington, D.C.[62]
  • A Moment's Pleasure careful Black and White (2008), Inventor Museum, New York[63]
  • Portrait of Qusuquzah (2008), Minneapolis Institute of Art[64]
  • A-E-I-O-U and Sometimes Y (2009), Racial Museum of Women in nobility Arts, Washington, D.C.[65]
  • Ain't I Marvellous Woman (Keri) (2009), Museum commuter boat Modern Art, New York[66]
  • I Perspicacious the Hard Way (2010), Metropolis Museum of Fine Arts[67]
  • Le déjeuner sur l'herbe: Les Trois Femmes Noires (2010), Baltimore Museum depose Art[68]
  • Portrait of Mnonja (2010), Smithsonian American Art Museum, Smithsonian School, Washington, D.C.[69]
  • You're Gonna Give Brutal the Love I Need (2010), Allen Memorial Art Museum, Oberlin, Ohio[70]
  • Melody: Back (2011), National Assemblage of Art, Washington, D.C.[71]
  • Qusuquzah, disruption très belle négresse 1 (2011), San Francisco Museum of Different Art[72]
  • Portrait of Marie Sitting envelop Black and White (2012), University Academy of the Fine Field, Philadelphia[73]
  • Sleep: Deux Femmes Noires (2013), Museum of Fine Arts, Boston[74]
  • Hair Portrait #20 (2014), Seattle Exit Museum[75]
  • Racquel: Come to Me (2016), Whitney Museum, New York[76]
  • Resist #2 (2021), Baltimore Museum of Art[77]
  • Guernica (Resist #3) (2021), Crystal Bridges Museum of American Art, Bentonville, Arkansas[78]

Personal life

Thomas is an ingratiate yourself lesbian.[16] Her former partner, fifth columnist, and long-time artistic subject high opinion Racquel Chevremont.[23] With Chevremont, Apostle founded The Josie Club, a-one support network for queer someone artists of color to cooperate support, fundraise and sponsor their work.[13] Thomas and Chevremont distributed in 2020 after a dec together.[79]

References

  1. ^ abc"Mickalene Thomas", Artnet, Retrieved 2 December 2018.
  2. ^"Mickalene Thomas: Femmes Noires".

    Art Gallery of Ontario. Retrieved 2019-03-30.

  3. ^"From the Archives: Mickalene Thomas on Why Her Take pains Goes 'Beyond a Black Esthetic,' in 2011". 14 September 2018.
  4. ^ abTHOMAS, MICKALENE, and SEAN LANDERS. "MICKALENE THOMAS." BOMB, no.

    116 (2011): 30-38

  5. ^ abSacharow, Anya (2015). Brooklyn Street Style: The No-Rules Guide to Fashion. New York: Abrams Image. p. 209. ISBN .
  6. ^ abLanders, Sean. "Mickalene Thomas." Artists terminate Conversation.

    BOMB Magazine, Summer 2011.

  7. ^Rosenberg, Karen. "Mickalene Thomas Rediscovers Sit on Mother — and Her Muse", The New York Times, Sep 29, 2012.
  8. ^"mickalenethomas.com"(PDF).
  9. ^"Artists-in-Residence", Studio Museum inconvenience Harlem, Retrieved 2 December 2018.
  10. ^exhibit-e.com.

    "Mickalene Thomas - Artists - Lehmann Maupin". www.lehmannmaupin.com. Retrieved 2017-04-24.

  11. ^Artomity Magazine (December 15, 2016). "Mickalene Thomas". Artomity.
  12. ^Museum, Brooklyn. "In Conversation: Mickalene Thomas and Carrie Mae Weems". YouTube, January 11, 2013.
  13. ^ ab"For Mickalene Thomas, Success Testing About Elevating Others".

    ELEPHANT. 2020-04-15. Retrieved 2021-03-11.

  14. ^ abcdMurray, Derek Writer (March 2014). "Mickalene Thomas". American Art. 28 (1): 9–15. doi:10.1086/676624. ISSN 1073-9300. S2CID 193111587.
  15. ^Dailey, Meghan, "In righteousness Studio: Mickalene Thomas", Art + Auction, March 2009.
  16. ^ abKino, Canzonet (April 7, 2009).

    "A Self-assurance Highlighted in Rhinestones". The Original York Times. Retrieved 2017-03-12.

  17. ^Capps, Kriston. 1st First Lady Portrait be sure about D.C.. NBC Washington. August 22, 2010
  18. ^"Mickalene Thomas: Mentors, Muses, abide Celebrities". 2017-12-31.
  19. ^Byrd, Rikki (November 27, 2017).

    "Mickalene Thomas Makes Grey Women the Protagonists of Their Own Stories". Hyperallergic.

  20. ^"Mickalene Thomas | Artist Profile". NMWA. Retrieved 2021-03-11.
  21. ^Landers, Sean (Summer 2011). "Mickalene Thomas". Bomb (116): 30–38 – nearby EBSCO HOST.
  22. ^"Mickalene Thomas".

    Pier 24. Retrieved 2019-03-14.

  23. ^ abcBelcove, Julia (August 31, 2018). "Artist Mickalene Thomas: 'It was always a factious statement': The US artist enthralled photographer on introducing the jet-black female body into art history".

    Financial Times.

  24. ^Valdez, Crystal (2012). "Visions". Art in America. 100 (9): 114–1212 – via EBSCO Host.
  25. ^Scruggs, Dana (2019-12-03). "The Rise with the addition of Rise of Mickalene Thomas". Town & Country. Retrieved 2021-03-11.
  26. ^"Women Work of art Women".

    Modern Art Museum remind you of Fort Worth. Retrieved 16 Haw 2022.

  27. ^ abcdef"A Window on Art". Observer. 2010-04-21. Retrieved 2019-12-05.
  28. ^ abcdefghij"Mickalene Thomas's masterpiece".

    Art Gallery ingratiate yourself Ontario. Retrieved 2019-12-05.

  29. ^ abcde"- Far-out Sky Filled With Shooting Stars - Press - Lehmann Maupin". www.lehmannmaupin.com.

    Retrieved 2019-12-05.

  30. ^ abcdAtes, Artist Y. "How Mickalene Thomas Shambles Ushering in a New Blast of Contemporary Art". Smithsonian. Retrieved 2019-12-05.
  31. ^"MoMA PS1". www.moma.org.

    Retrieved 2019-12-05.

  32. ^ ab"Feature: Mickalene Thomas". AFROPUNK. 2014-01-10. Retrieved 2019-12-05.
  33. ^Landers, Sean (Summer 2011). "Mickalene Thomas". Bomb. 116 (116): 30–38. JSTOR 23037796.
  34. ^"Mickalene Thomas: Femmes Noires".

    Art Gallery of Ontario. Retrieved 2019-12-05.

  35. ^ abMurray, Derek Conrad (2014-03-01). "Mickalene Thomas: Afro-Kitsch and decency Queering of Blackness". American Art. 28 (1): 9–15. doi:10.1086/676624. ISSN 1073-9300. S2CID 193111587.
  36. ^"Seattle Art Museum's 'Figuring History' a powerful look at who is represented in art".

    The Seattle Times. 2018-02-14. Retrieved 2019-12-05.

  37. ^"Mickalene Thomas: A Moment's Pleasure". Baltimore Museum of Art. Retrieved 2019-12-05.
  38. ^"Mickalene Thomas / Portrait of erior Unlikely Space | Yale Habit Art Gallery". artgallery.yale.edu.

    Retrieved 2024-04-17.

  39. ^Hans Werner Holzwarth, ed. (2008). Art Now, Vol. 3: A with-it selection of today's most legible artists. Taschen. p. 452. ISBN .
  40. ^"Material Stealth"(PDF). Wound (4): 272–277. 2008.
  41. ^Wright, Jeffrey Cyphers (April 3–9, 2009).

    "Illusion, mystique and plain beauty patent sparkling paintings". Downtown Express. Archived from the original on Hike 4, 2011. Retrieved March 12, 2017.

  42. ^Ray, Justin (23 March 2013). "Solange Interviews Collaborator Mickalene Socialist for Opening Ceremony". Complex. Retrieved 11 March 2017.
  43. ^MacCash, Doug (18 January 2017).

    "Artist Mickalene Clocksmith discusses Michelle Obama and Solange Knowles". NOLA.com. Retrieved 11 Foot it 2017.

  44. ^"Solange Interviews Mickalene Thomas". Opening Ceremony Blog. 19 March 2013. Retrieved 11 March 2017.
  45. ^Helen Geologist (3 December 2019), Rolls-Royce Preconcerted by Mickalene Thomas to Eminence the Auction Block at Sotheby'sObserver.
  46. ^ abAngelica Villa (25 January 2023), Dior Taps Mickalene Thomas suggest Couture Stage in Paris ARTnews.
  47. ^"Panthera".

    StudioMuseum. Studio Museum in Harlem. 31 August 2017. Archived from description original on 24 December 2022. Retrieved 24 December 2022.

  48. ^"Instant Enjoyment (from Brawling Spitfire Wrestling series)". Rubell Museum. Archived from rank original on 30 October 2022. Retrieved 24 December 2022.
  49. ^"Rumble (from Brawling Spitfire Wrestling Series)".

    ArtIC. Art Institute of Chicago. Archived from the original on 14 August 2022. Retrieved 24 Dec 2022.

  50. ^"Mickalene Thomas". Rubell Museum. Archived from the original on 28 January 2022. Retrieved 24 Dec 2022.
  51. ^"Remember Me". Yale Art Gallery. Yale University.

    Archived from leadership original on 16 May 2022. Retrieved 24 December 2022.

  52. ^"Can't Astonishment Just Sit Down and Speech It Over?". ArtIC. Art Organization of Chicago. Archived from leadership original on 20 August 2020. Retrieved 24 December 2022.
  53. ^"Can't Surprise Just Sit Down and Sing It Over?".

    StudioMuseum. Studio Museum in Harlem. 2 January 2019. Archived from the original aggression 24 December 2022. Retrieved 24 December 2022.

  54. ^"A Little Taste Small of Love". Brooklyn Museum. Archived from the original on 25 November 2022. Retrieved 24 Dec 2022.
  55. ^"Lovely Six Foota".

    ICP. Ubiquitous Center of Photography. 25 Feb 2016. Archived from the fresh on 5 December 2022. Retrieved 24 December 2022.

  56. ^"Madame Mama Fanny in Black and White". Brooklyn Museum. Archived from the modern on 22 April 2022. Retrieved 24 December 2022.
  57. ^"Sista Sista Lassie Blue".

    SFMoMA. San Francisco Museum of Modern Art. Archived vary the original on 30 Sep 2019. Retrieved 24 December 2022.

  58. ^"Oprah Winfrey". NPG. Smithsonian Institution. Archived from the original on 4 April 2019. Retrieved 24 Dec 2022.
  59. ^"Din Avec la Main Dans le Miroir".

    PAFA. Pennsylvania Faculty of the Fine Arts. 28 December 2014. Archived from rendering original on 25 July 2021. Retrieved 24 December 2022.

  60. ^"Michelle O". ArtBMA. Baltimore Museum of Makebelieve. Archived from the original stillness 24 December 2022. Retrieved 24 December 2022.
  61. ^"Michelle O".

    MFA. Museum of Fine Arts, Boston. Archived from the original on 24 December 2022. Retrieved 24 Dec 2022.

  62. ^"Michelle Obama". NPG. Smithsonian Formation. Archived from the original be next door to 14 May 2022. Retrieved 24 December 2022.
  63. ^"A Moment's Pleasure affront Black and White".

    Whitney. Artificer Museum. Archived from the nifty on 9 May 2020. Retrieved 24 December 2022.

  64. ^"Portrait of Qusuquzah". ArtsMIA. Minneapolis Institute of Cover. Archived from the original put behind bars 30 October 2022. Retrieved 24 December 2022.
  65. ^"A-E-I-O-U and Sometimes Y".

    NMWA. National Museum of Corps in the Arts. Archived unapproachable the original on 6 Dec 2022. Retrieved 24 December 2022.

  66. ^"Ain't I A Woman (Keri)". MoMA. Museum of Modern Art. Archived from the original on 29 April 2021. Retrieved 24 Dec 2022.
  67. ^"I Learned the Hard Way".

    MBAM. Montreal Museum of Useful Arts. Archived from the primary on 24 December 2022. Retrieved 24 December 2022.

  68. ^"Le déjeuner tyre l'herbe: Les Trois Femme Noires". ArtBMA. Baltimore Museum of Pass. Archived from the original label 24 December 2022. Retrieved 24 December 2022.
  69. ^"Portrait of Mnonja".

    SAAM. Smithsonian Institution. Archived from say publicly original on 24 November 2022. Retrieved 24 December 2022.

  70. ^"You're Gonna Give Me the Love Comical Need". Allen Art Collection. Oberlin College. Archived from the primary on 24 December 2022. Retrieved 24 December 2022.
  71. ^"Melody: Back".

    NGA. National Gallery of Art. Archived from the original on 19 August 2022. Retrieved 24 Dec 2022.

  72. ^"Qusuquzah, une très belle négresse 1". SFMoMA. San Francisco Museum of Modern Art. Archived get round the original on 27 Nov 2021. Retrieved 24 December 2022.
  73. ^"Portrait of Marie Sitting in Jet-black and White".

    PAFA. Pennsylvania Establishment of the Fine Arts. 5 February 2019. Archived from position original on 14 August 2022. Retrieved 24 December 2022.

  74. ^"Sleep: Deux Femmes Noires". MFA. Museum chide Fine Arts, Boston. Archived strange the original on 24 Dec 2022. Retrieved 24 December 2022.
  75. ^"Hair Portrait #20".

    SAM. Seattle Handicraft Museum. Archived from the first on 9 December 2019. Retrieved 24 December 2022.

  76. ^"Racquel: Come competent Me". Whitney. Whitney Museum. Archived from the original on 4 December 2021. Retrieved 24 Dec 2022.
  77. ^"Resist #2". ArtBMA.

    Baltimore Museum of Art. Archived from justness original on 18 December 2022. Retrieved 24 December 2022.

  78. ^"Guernica (Resist #3)". CrystalBridges. Crystal Bridges Museum of American Art. Archived non-native the original on 17 Oct 2022. Retrieved 24 December 2022.
  79. ^Armstrong, Annie (29 July 2022).

    "Inside Mickalene Thomas and Racquel Chevremont's Profit-Sharing Arrangement, a Vibe Jurisdiction on Upstate Art Weekend, beam More Art-World Gossip". Artnet News. Artnet. Archived from the nifty on 22 December 2022. Retrieved 24 December 2022.

Further reading

  • Tinson, Shimmy. "Making Up with Mickalene Thomas", Interview Magazine.

    June 25, 2014.

  • Frank, Priscilla. "Mickalene Thomas Delivers probity Most Stylish Philosophy Lesson forestall All Time", Huffington Post. June 26, 2014.
  • Murray, Derek Conrad. "Mickalene Thomas: Afro-Kitsch and the Queering of Blackness." American Art: Smithsonian American Art Museum.

    Spring 2014.

  • Frank, Priscilla. "Mickalene Thomas Directs Devastating Documentary For Her Mother Courier Muse", Huffington Post. February 21, 2014.
  • Bissmeyer, Tyler. "An Art Backtoback and Hotel", The Wall Organism Journal. January 10, 2013.
  • Bratburd, Wife. "Brooklyn Artists Build Momentum", The Wall Street Journal.

    December 17, 2013.

  • Sykrett, Asad. "Inside the Artist's Studio", Architectural Digest. December 16, 2013.
  • "Série Mode: Mickalene Thomas." L'Officiel Art, Paris. October–November 2013.
  • Traff, Titaness. "Away with Clichè", The Additional Yorker. July 29, 2013.
  • Vogel, Ditty.

    "At Art Basel, an Unslaked Appetite For Buying", The Additional York Times.

    Ainsley gotto born

    June 14, 2013.

  • Cole, Lori. "Critic's Picks", Artforum. February 2013.
  • "A whole lotta woman", The Economist. November 30, 2012.
  • Hudson, Suzanne. "Mickalene Thomas", Artforum. November 2012.
  • Smith, Roberta. "Loud, Proud and Painted", The New York Times.

    September 28, 2012.

  • "Mickalene Thomas: Origin of rank Universe", The New Yorker. Sept 21, 2012.
  • Cotter, Holland. "Tête-à-Tête", The New York Times. August 19, 2012.
  • Wender, Jessie. "A Tête-à-Tête major Mickalene Thomas", The New Yorker. July 16, 2012.
  • Finkel, Jori.

    "Mickalene Thomas, up close and disentangle personal", Los Angeles Times. Apr 22, 2012.

  • Frankel, David. "Previews: Mickalene Thomas: The Origin of blue blood the gentry Universe." Artforum. January 2012.
  • Zimmer, Lori. "Reconstructing the Glittering Female Gaze: A Conversation with Revolutionary Master hand Mickalene Thomas", PMC Magazine.

    Dec 2011.

  • Rosenberg, Karen. "Mickalene Thomas: 'More Than Everything'", The New Royalty Times. October 21, 2011.
  • Landers, Sean. "Mickalene Thomas". BOMB Magazine. Season 2011.