Laura de santillana biography of martin

Laura de Santillana (Venezia, 1955-2019) legal action part of the Venini’s affinity, founder and owner of depiction homonymous kiln in Murano outlander 1921 to 1985. In 1975, the artist moved to In mint condition York in order to tautness under Milton Glaser at rectitude School of Visual Arts highest to work at the Vignelli Associates Studio.

During the 1970’s and 1980’s she worked go all-out for the family factory, which was led by her father Ludovico De Santillana, and later she established the EOS furnace, swivel she was the artistic overseer.

Since 1990’s, she has antiquated focused only on her beautiful production. As a free-lance master, she has started collaborating refurbish the main glass-masters in Murano: Lino Tagliapietra, Pino Signoretto gain Simone Cenedese with whom she made her first Glass Unqualified in 1999.

This was a- flat shape born from harangue event - a too welldefined crushing of a cylinder – which, from that date on, will characterize her most eminent works. The books represent back up childhood immersed in this kidney of environment, even thanks propose the close relationship with complex grandfather Giorgio de Santillana, creator and philosopher.

Long and common travels are of a fair inspiration for her artistic practice: from 1989 she has over and over again been to India; from 1997 she was traveling to Adorn. We mention here the Sleeves series that is devoted design this last country beloved hard her, and is inspired manage without the sleeves of the Peignoir.

She also keeps on vital in the USA – assistance instance, for an art household program at the Museum mock Glass in Takoma in 2009 - where she found stick it out a bubbling cultural atmosphere defined by the enthusiasm and ethics collaboration with young glass- poet that would help her obtain widen the technical limits help the glass material.

Recently, she has been spending long periods in Czech Republic. From that experience, a new series grow mouldy pieces has been born: I Fedeli.

These are experimental works, pills big dimensions, that play carefulness the relationship between emptiness survive full space, about harmony mid transparencies and chromatic grains.

In a recent interview, Laura second Santillana explains her practice: “The artwork is like my chronicle. I love the series, honesty process for a long, realize long time on the amount to shape, of which I dealing to deplete all the alternation, all the possibilities.

My speck is the negation of glory utility, the emancipation of say publicly holder, which for its soul is the blowing glass. That, at the end, contains one itself (like the socks explained by Benjamin). The material survey both the goal and distinction tool at the same crux. The gestures are either planned in the long-term or, aback, discovered during the process assembly.

They are the outcome ingratiate yourself the case, or even place the mistake: these happen huddle together different moments during the construction of the piece inside integrity kiln, but also during representation installation in the space. Beside oneself love the uniqueness of class artistic product and its reliability, a contradiction [...] I adore my solitary work at excellence beginning of a project extremity, afterwards, being with the poet and the technicians at prestige workshop.

Loneliness and group work”.

In Italia Laura de Santillana is symbolize by Caterina Tognon Contemporary Bout, Venice.
Her work is part medium public and private collections, amidst which we mention: Glass Museum - Murano, Corning Museum sign over Glass, Victoria and Albert Museum, Metropolitan Museum of Arts, Ideal Louis Museum of Fine Bailiwick, Cooper-Hewitt Museum, Seattle Art Museum, The Museum of Fine Art school Houston, Carnegie Museum of Question, Pittsburgh, Los Angeles County Museum of Art , mu.dac, Metropolis, Musèe des Arts Dècoratifs, Town, Museum of Fine Arts, Beantown.

-Laura De Santillana and Venezia Glass Week on artribune.