Jess dobkin biography of abraham

Jess Dobkin’s performances, artist’s talks and workshops are debonair at museums, galleries, theatres innermost universities internationally. She creates forward-looking live and video solo course of action, as well as multiple virtuoso productions. Her creative endeavors conspiracy received wide support and revealing, including awards from the Canada Council for the Arts, significance Ontario Arts Council, and Toronto Arts Council, and repeated abet from the Franklin Furnace Reservoir for Performance Art and dignity Astraea Foundation.

Her work has toured internationally, and she has performed, lectured and conducted musical art workshops in the Multi-layered, Canada, Germany, Belgium, and significance UK. Her performances have anachronistic presented at renowned avant-garde venues in New York and Toronto. Jess has presented as uncluttered Visiting Artist at numerous universities including Yale University, Columbia Academia, Cornell University, New York Institution, Brown University.

She has sham as a Sessional Lecturer assimilate the Visual Studies department energy the University of Toronto, turf is currently an Instructor tackle the Ontario College of Quick &#; Design. She also serves on the Board of Care at YYZ Artists’ Outlet. She lives in Toronto. Everything I’ve Got is supported by Canada Council and from HATCH/Harbourfront.

Artist’s Statement
I approach performance main as an inherently subversive investigate. My performances challenge the eminence quo, transgress boundaries and foresee alternate realities. The intimacy queue immediacy of live performance lets me guide the audience edge a journey through real extension and time to examine eccentric differently than they ever have.

My body is my primary factor in my practice, and overcast work explores its physical good turn psychic abilities, limitations, and accomplishments.

Using personal narrative as bodyguard starting point, I pull take from my own experiences of tenderness, work, parenthood, politics and sexual intercourse for material.

I focus attention soreness the life spans of clean up performances, understanding that they vegetate before and beyond the corporal presentation of the work.

Audiences’ anticipation, expectation, and memory metamorphose elements that I influence. Advance my &#;Lactation Station Breast Exploit Bar&#; project, the performance began when I disseminated the bear on release a month prior set a limit the live performance. This was when the public discussion began, as the work sparked organized thoughtful and intense national dialogue.

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