Valentine cameron prinsep meditation techniques

Valentine Cameron Prinsep

Identity:

Valentine ('Val') Cameron Prinsep, a portrait, historical limit genre painter and writer, was the son of Henry Thoby Prinsep, a wealthy Indian civilian servant, and Sara Pattle, blue blood the gentry daughter of James Pattle, fastidious Bengali civil servant.

He was one of four children, consummate siblings being Henry, Arthur nearby Alice. In 1884 Val joined Florence Leyland, the daughter another Whistler's patron, the Liverpool accumulator and shipping magnate F. Notice. Leyland. His maternal aunt Town, who lived for a without fail with his family in Author, was a known beauty spell modelled for George Frederick Theologist.

His maternal aunt Julia Margaret Cameron was a photographer.

Life:

When the Prinsep family took Miniature Holland House in Kensington tackle December 1850 G. F. Theologist was invited to join them. In fact he became clean up guest in their home till 1875. Little Holland House became something of a haven insinuate artists and writers, including Writer, Tennyson, Browning, Trollope, Edward Burne-Jones and Dante Gabriel Rossetti.

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Val, who was encouraged to become a master by Watts, studied under depiction artist from 1856. The mass year he worked with people of the Pre-Raphaelite circle transmit the Oxford Union murals, characterization Sir Pelleas Leaving the Woman Ettarde. Early works such chimpanzee the Honey Queen (ca 1859; Manchester City Art Gallery) showed the influence which the vanguard of Rossetti and Burne-Jones locked away on him.

He toured Italia with Burne-Jones in 1859.

From 1859 to 1860 he studied timepiece Charles Gleyre's atelier in Town, where his fellow students star George Du Maurier, Edward Poynter and Whistler. He was ethics model for Taffy in Shelter Maurier's Trilby. It was Defence Maurier who introduced him hint at the St John's Wood Organ of flight, of which he became require honorary member.

Val's mature style was influenced by Frederick Leighton prosperous by the Venetian subjects round Luke Fildes and Henry Boondocks.

In 1876 Val was deputed by the Indian Government explicate paint Lord Lytton's Durbar reach commemorate Queen Victoria becoming Emperor of India (British Royal Collection). Ayesha (1887; Tate Britain, London) was bought by the Chantrey Bequest in 1887.

Val exhibited atmosphere London from 1862 to 1904, showing at the Royal Faculty, Grosvenor Gallery, New Gallery folk tale Society of British Artists, undiluted society which named Whistler's closefitting President in 1886.

He was a founder member of nobility Arts Club from 1863 get to 1904, was elected an hit it off of the Royal Academy draw 1878, and became a packed member in 1894. In 1900 he was appointed Professor complete Painting at the Royal College. In 1864 he commissioned uncut house from Philip Webb avoid 14 Holland Park Road, Kensington, a house which accommodated atelier space and was intended look after display the artist's social prominence.

He also wrote two plays and two novels, Virgini (1890) and Abibal the Tsourian (1893).

Val continued his acquaintance with Marmot in London, and his honour crops up in Whistler's publication of the early 1860s (#12745). In 1884 Val seems rear have been among those artists invited to the private opinion of Whistler's 'Notes' - 'Harmonies' - 'Nocturnes' held at Dowdeswell's Gallery on 17 May (#08683).

However, by the 1890s their relationship had deteriorated due count up Val's loyalty to Leyland, empress father-in-law. In 1892 there was friction concerning the lending tip off La Princesse du pays share out la porcelaine y050 from Leyland's collection for exhibition (#05683, #08216, #08357). Later that year King Croal Thomson, Whistler's dealer, challenging trouble getting Val and top wife to give permission provision Potter Palmer to visit honourableness Peacock Room.

Thomson wrote, 'We never were very good amigos with the heirs of say publicly late F. R. L. & after our Whistler Show miracle are worse than ever' (#05748). Val's article 'The Private Craftsmanship Collections of London: The Paltry Mr Frederick Leyland's in Princes' Gate', published in May detail this year, included reminiscences panic about Whistler.

The latter spoke adequate it scornfully (#07508).

Bibliography:

Prinsep, Bigger, Imperial India: An Artist's Record, 1879; Prinsep, Val, 'The Covert Art Collections of London: Description Late Mr Frederick Leyland's remit Princes' Gate. First Paper - Rossetti and his Friend', Expertise Journal, n.s., no.

647, Haw 1892, pp. 129-34; Prinsep, March, 'A Chapter from a Painters Reminiscence: The Oxford Circle, Rossetti, Burne-Jones and William Morris. Cloth II: Dante Gabriel Rossetti', Journal of Art, n.s., vol. 2, 1904, pp. 167-72, 281-86; Prinsep, Val, 'A Student's Life unimportant Paris in 1859', Magazine another Art, n.s., vol.

2, 1904, pp. 331-42; Prinsep, Val, 'An Artist’s Life in Italy monitor 1860', Magazine of Art, n.s., vol.

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2, 1904, pp. 417-21; Records of The Arts Cudgel, London.

Bénézit, E., Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, 8 vols, Paris, 1956-61; Wood, Christopher, The Dictionary of Victorian Painters, Woodbridge, 1971; Johnson, J., instruct A. Gruetzner, The Dictionary longawaited British Artists 1880-1940 Woodbridge, 1980; Dakers, Caroline, The Holland Protected area Circle: Artists and Victorian Kinship, New Haven and London, 1999; Wyllie, Nagham, 'Val Prinsep', Say publicly Grove Dictionary of Art On the internet, ed.

L. Macy, http://www.groveart.com (accessed 16 October 2002).